KLOF No. 76 (Folk, Ambient, Experimental, Alternative)

From Glasgow choirs to pitch-black Virginia tunnels, this week's Mixtape stretches, twists, and shapeshifts through some of the most diverse music around.

by Alex Gallacher

This week’s Mixtape stretches, twists, and shapeshifts… it opens with Glasgow’s Uzganc choir, started by Martin Steuck (aka Wormhook). It is made up of many musicians and non-musicians alike, and its membership is loose and changeable. It closes out with a collaboration between Weirs and The Magic Tuber Stringband, which was recorded live with field recorders inside Virginia’s pitch-black Crozet Tunnel.

We’ve also got new music from Spencer Cullum, our latest Off the Shelf Guest, BIG|BRAVE, Wendy Eisenberg, Colleen, Prymek & Sage and Bill Orcutt – taken from “Music in Continuous Motion,” his second studio album for four guitars, which has just been reviewed by Glenn Kimpton here.

Plus:

  • balladeer Wheatie Mattiasich, whose voice is described as that “used for medieval incantations, traditional ballads, and ancient and supernatural myths about solitude, played through the drainpipe.”
  • One of China’s most prolific world music veterans, Hugjiltu hails from a musical family in Jarud Banner, Inner Mongolia. He “plays the guitar with five strings. Not used to the standard chord-forms of Western guitar, he invented his own system of tuning, combining the three-string Mongolian lute and the two-string horsehead fiddle, both of which he started playing as a child.”
  • Released on Cafe Oto’s in house label Otoroku, we’ve a 2024 set from harpist Rhodri Davies – “In this solo harp performance, recorded at OTO in April 2024, Davies’ inimitable playing style is showcased to full effect, with a sound that seems to span from Welsh harp to arched or ‘bow’ harp playing found in Sub-Saharan African traditions; Indian ragas to the circling, synthesized arpeggios of Laurie Spiegel, touching on the insistent player-piano pieces of Conlon Nancarrow along the way.”
  • And finally, Oliver Barrett, with Self-towing “Snug” – a photograph found in his grandfather’s scrapbook becomes the catalyst for an album steeped in memory and family. The image, taken on a 1930s Norfolk holiday, shows a teenage boy towing a small vessel called a “Snug” across the Broads, captured with an accidental grandeur that belies its simplicity. He traces connections across generations — a grandfather’s runic handwriting, shared afternoons among oil paintings in Bristol Museum, a life of carefully kept mementoes. Begun a year prior and completed in the weeks following his grandmother’s death at 104, the album stands as a loving memorial to both grandparents and the quiet details they left behind. Read more here.

Listen via Mixcloud

Playlist

00:00 Uzganc Choir – Chalice
02:30 Spencer Cullum – Rowan Tree
06:13 Wendy Eisenberg – Vanity Paradox
12:21 Hugjiltu – 象山 Mount Elephant
16:13 Wheatie Mattiasich – Canyon
19:09 BIG|BRAVE – the ineptitude for mutual discernment
24:06 Bill Orcutt – Unfinished not fragile
26:35 Colleen – Mis armas se habían caído al suelo
28:36 Rhodri Davies – Gardd a Thŷ
34:01 Oliver Barrett – Self-towing “Snug”
35:50 Prymek & Sage – Hill Blocks View
45:58 Weirs and Magic Tuber Stringband – Tunnel

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