Kevin Morby announces Little Wide Open, out May 15th via Dead Oceans, with lead single Javelin featuring Amelia Meath. The accompanying video stars Morby and comedian Caleb Hearon on an ATV through Missouri backroads, capturing the restless motion at the album’s heart. Produced by Aaron Dessner, the album completes a trilogy exploring middle America with Morby’s most personal songwriting yet.

Tenderness shares “Day of Atonement”, a hypnotic indie-folk track featuring Deep Throat Choir, ahead of debut album True (March 13th via Amorphous Sounds). The impressionistic song explores care, codependency and addiction through layers of drones, pedal steel and ethereal vocals. Born from lockdown grief, True examines modern love and loss through both digital screens and natural landscapes.

Spencer Cullum has shared ‘Look at the Moon,’ a new single featuring Erin Rae, ahead of his album Coin Collection 3 (out March 27th via Full Time Hobby). Written as a tribute to his wife and her Nashville bookshop, the track circles around a quiet mantra—”Days might feel gloom / Look at the moon”—finding beauty in the patient work of building something meaningful together.

Matt Kivel’s eighth album, Escape from L.A., is his most autobiographical offering—a nine-year labor of love weaving personal memories with cultural touchstones. Like Dylan’s Blood On The Tracks, it plays with time and perspective. From the gentle shuffle of Santa Monica to the ominous throb of Tidal Wave, Kivel has crafted a widescreen reflection on home, memory, and place.

North Carolina singer-songwriter MC Taylor, the creative force behind Hiss Golden Messenger, has announced his forthcoming album I’m People, set for release May 1st via Chrysalis Records. The announcement arrives alongside “In The Middle Of It,” a desert-soaked lead single accompanied by a lyric video that captures the wandering spirit of Taylor’s latest work.

Gregory Uhlmann shares “Burnt Toast,” the second single from Extra Stars (out March 6 via International Anthem), demonstrating his distinctive ability to transform guitar tones in real time. The track moves through warring syncopations, synthetic glissandos, and stereo warbles, showcasing the rhythm-forward approach that defines his forthcoming album. Watch him performing live at International Anthem Studios in Chicago.

Ora Cogan shares “Division,” a stark, reverberant track from her Sacred Bones debut Hard Hearted Woman, out March 13th. Her voice cuts through cavernous space like a warning flare, pleading against division and cruelty. The gothic video unfolds as a morality play featuring three symbolic beings. Weaving haunted folk and psych-rock, the album captures resilience in fractured times.

OHYUNG has shared “nevada,” the second single from IOWA, arriving March 6th. The track opens with a field-recorded boom—looping throughout as glacial melodies pulse beneath choral voices and wailing synths. The album marks Lia Ouyang Rusli’s return to ambient music, documenting her year in Iowa City with ghostly textures built from field recordings and devotional samples.

Anjimile releases Waits For Me, the second single from You’re Free to Go. “When I was a little girl, I wanted to be free… When I was a little boy, I wanted to be real,” he sings, affirming his inner child through warm acoustic guitar and glimmering synths. Produced by Brad Cook, the album traces years of transformation—from grief to renewal, asking what happens when you let love in.

more eaze has shared “healing attempt,” an adventurous avant-pop single from multi-instrumentalist mari rubio’s forthcoming album ‘sentence structure in the country,’ out March 20th via Thrill Jockey. The track weaves resolute vocals and acrobatic harmonies through layers of strings, guitar, banjo, and stuttering electronics—a gently pulsing composition adorned with lush, unpredictable textural flourishes mirroring the song’s themes of navigating pain.

White Fence is releasing a new album, Orange, on April 24th. The record marks Tim Presley’s first White Fence release in seven years and was produced by Ty Segall at his Harmonizer II studio. Watch the video for lead single ‘Your Eyes’ that opens with gut-punching snare hits before rolling into sunny guitar strums, building toward a power chorus that showcases Presley’s direct, punkish delivery.

Bonnie “Prince” Billy has shared “Hey Little,” the second single from his forthcoming album We Are Together Again, out March 6th via Domino Records. The track features Catherine Irwin on vocals and string arrangements inspired by Madonna’s “Dear Jessie.” The video, shot on film and incorporating double-exposure techniques, was filmed in a Louisville indoor pool and draws inspiration from the classic Burt Lancaster film The Swimmer.