On “The Anthology of UnAmerican Folk Music”, Marisa Anderson reinterprets music from places the United States has been in conflict with since 1970, drawn from Harry Smith’s private collection of nearly a thousand records. It feels like a very open-armed project and a gesture of connecting that could hardly be better timed — beautifully studied and played, and a resounding success.

North Carolina’s Magic Tuber Stringband return with “Heavy Water”, their first album as a full-time trio. Inspired by Courtney Werner’s work as an ecologist on a nuclear-contaminated stretch of the Savannah River, it combines intuitive appreciation for the landscape with intellectual and conceptual rigour — an album so engaged with history and place it’s hard to say where those things end and the music begins.

Tara Clerkin Trio have shared “Lazy Daisy”, the latest track from their forthcoming album “Somewhere Good”, out 5th June via World of Echo. Following a 6 Music session, it’s the Bristol trio’s first album since 2023’s “On The Turning Ground” — forty-odd minutes of harmonium, upright bass and hushed vocals, sounding more like themselves than ever.

Lady Maisery and Jimmy Aldridge & Sid Goldsmith return with “Wakefire: A Summer Album”, a full-scale double album that trumps its predecessor in both ambition and reward. Presented as a largely chronological account of summer, twenty-seven tracks might sound like something of a throwback in today’s climate of instant gratification, but they make it seem like a revolutionary act, and a hugely gratifying one at that.

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