Our latest Mixtape draws together a constellation of artists we’ve been championing lately — Bill Callahan, Buck Meek, Tōth, The Notwist, Iron & Wine, Juni Habel, and more — alongside a few welcome discoveries. From highway-wide Americana to quietly devastating folk, sun-bleached indie to avant-garde drift, it’s an hour-plus of music that earns your full attention. Press play and let it run.
In conversation with Harper Mahood, Barry Walker Jr. talks about “Paleo Sol,” his Thrill Jockey debut — a record born from new age lullabies, ancient oxidised soils, and dark forces banging on the door. “I want people to look past the horizon and try to break the material veil that we’re all living in.”
South American field recording artist Caminauta has shared Encounters, the new single and video from her debut album Unseen Dimensions, due March 2026 via Wayside & Woodland Recordings. Shot during isolated coastal walks after three years of near-total solitude, the video captures the same unhurried, observational spirit as the music itself — organic, atmospheric, and quietly essential.
Iron & Wine’s Hen’s Teeth is decidedly darker than its sibling album, admitting emotional ambiguity at every turn. Sam Beam knows that a lot can happen in the span of a single song, and here he leans ever further into the South’s musical traditions, surrounding himself with collaborators who double the vulnerability at the heart of his most open-hearted work in years.
Blood Sucking Maniacs, the multigenerational family band led by Terry Allen and Jo Harvey Allen, have announced their self-titled debut album, out April 24th via Paradise of Bachelors. Spanning five generations and 121 years — from Pauline Allen’s ghostly piano to a great-grandchild’s fetal heartbeat — the album is a wild, tender testament to family as creative force.
Tōth has always been somewhat genre-slippery; it’s proof of his unwillingness to stay in one place for too long, and that’s something to be celebrated. There aren’t too many musicians making heart-on-sleeve emotional rollercoasters with this much control, poise and skill. ‘And The Voice Said’ moves in all directions at once, and ends up exactly where it should be.
Philadelphia/Chicago duo The Early have mastered a specific brand of improvised music that draws on jazz and hard-edged experimental rock. Across their latest EP, Cusp, and album, I Want to be Ready, Lewis and Nussbaum pass through landscapes, lighting them up and leaving them changed for the better. A resounding success.
Colleen has shared Mis armas se habían caído al suelo, the opening piece from her forthcoming album Libres antes del final, out March 20th via Thrill Jockey. Three insistent chords and a tentative melodic line surface through warm organ like a held breath released — a declaration of vulnerability that sets the tone for what Cécile Schott calls her most emotionally intense work.
The Wave Pictures fashion their touchstones into new shapes: rapid-fire surf-pop, sleazy garage blues, tender slow-burners full of weeping guitars. Tattersall’s playing remains immediately distinctive, incorporating desert rock and spiky proto-punk, sometimes sounding like both Television guitarists at once. From Proustian throbs of memory to blazing solos, “Gained/Lost” is accessible, varied, and endlessly rewarding—another bright star in their constellation.
My Days of 58 finds Bill Callahan embracing uncertainty — and it has made his songs wiser than ever. They are also funnier, sadder, deeper. Live energy, partly improvised performances, a spirit of collaboration: these are the things that make Callahan tick. Over three and a half decades into his career, he is still capable of adding more strings to his bow.
From Zimbabwean heavy rock pioneers Wells Fargo to the meditative desert blues of Ali Farka Touré and Toumani Diabaté, KLOF Mag’s Monday Morning Brew playlist is one of contrasts and quiet revelations. Gillian Welch mourns a myth, Polar Bear tear up the rulebook, and Elijah Minnelli steps into new territory alongside Osaka vocalist Kiki Hitomi. Folk, jazz, dub, desert blues and beyond — your week’s finest soundtrack.
Featuring new music from Natalie Wildgoose, Joshua Burnside, Lisa O’Neill, Juni Habel, Alela Diane, Joe Harvey-Whyte & Geir Sundstøl, Wendy Eisenberg, Iron & Wine, Jason P. Woodbury, Buck Meek, Tacoma Park, Marisa Anderson, Abigail Lapell, and Shane Parish.
A new weekly playlist featuring Kim Deal, Tōth, Hiss Golden Messenger, My Precious Bunny, Rolan Brival, Ora Cogan, Bonnie “Prince” Billy, Lemoncello, Barry Walker Jr., Matt Kivel, More Eaze, Tenderness and more.
The latest KLOF Mixtape is an eclectic offering, featuring Cinder Well, whom many are discovering for the first time thanks to “The Wise Man’s Song”, the theme to the BBC Drama Small Prophets. Plus we’ve also music from Jenny Lysander, Cynefin, Northern Flyway (ft. Jenny Sturgeon, Inge Thomson, Sarah Hayes, Jason Singh), Frankie Archer, Malmin, Sourdure, Elle Osborne, Matt Kivel, M G Boulter, Sam Moss, Damien Jurado and The Lords.
Seamus Cater and Norwegian guitarist Fredrik Rasten have an exceptional ear for space — knowing what to leave out as much as what to put in. Across six unhurried songs, Strange the Grass Grows breathes and blooms with quiet confidence, its traditional ballads and originals handled with such grace and elegance that it stays with you long after the final note.
Magic Tuber Stringband have announced Heavy Water, out May 22nd — their most expansive album yet, rooted in the ecological and human fallout of nuclear arms production in rural South Carolina. Lead single Tribute to the Angels draws on Hilda Doolittle’s wartime poetry and old-time fiddle tradition, its luminous harmonics hovering between folk memory and grief. Spring tour dates are forthcoming.
Darkly cinematic and compellingly unhurried, “laundry | blood” finds Whitney Johnson, Lia Kohl, and Macie Stewart at their most brooding — a slow-burn highlight from BODY SOUND. A live performance video directed by Derrick Alexander accompanies the single. The album arrives March 20th via International Anthem and the trio are perfomring live across the East Coast US, London’s Cafe OTO, and Europe this spring.
Recorded at Capitol Records in 1971, “10,000 Greyhounds” is a frantic, jangle-blues workout that sends Tommy into scats and the band into sprawling jams before spiraling into an ebullient pocket epic of blissed self-discovery. It’s the latest preview of Echo Park, the 91-year-old LA legend’s long-lost album, mixed and mastered by Jim O’Rourke and due March 27th.
In the Low Light is one of the strongest albums of its kind this year — a record that puts songs and the emotive stimuli that drove them front and centre. Written in the shadow of profound personal loss, Lucy Kitchen strikes a remarkable balance between darkness and light, unflinching in its grief yet quietly alive with hope.
Almost Proustian in its relationship with memory, Proof Enough goes beyond mere nostalgic effect. Michael Cormier-O’Leary became a father while recording these six songs, and his writing is full of hopes and fears alongside the quiet determination to live well. He has become an exceptional songwriter, alchemising human concerns into low-key poetry and backing it with a nuanced, delightfully off-kilter grasp of song dynamics.
With Stray Dogs, Hrishikesh Hirway opens a debut LP shaped by grief, memory, and the passage of time. The track — a gentle folk song co-written and performed with Iron & Wine’s Sam Beam — traces two packs: stray dogs in his mother’s Indian hometown and a group of teenage friends burning through a New Haven summer. Produced by Phil Weinrobe, In the Last Hour of Light arrives April 24th …
Filmed at The Lilliput Press in Dublin, Ye Vagabonds’ live performance of Mayfly finds Brían and Diarmuid Mac Gloinn joined by Alain McFadden on harmonium, synths and mandolin, Kate Ellis on cello, and Caimin Gilmore on double bass. Taken from their acclaimed album All Tied Together, it’s a warm, unhurried rendering of a song about loss, belonging, and the people who slip quietly away.
Tristan Allen has shared the video for Act III: Rite, the latest visual from Osni the Flare, out March 27th via RVNG Intl. The album — a creation myth spanning several acts — was built from toy instruments, ocarinas, and wordless vocals recorded in a Brooklyn apartment overlooking a cemetery. With each new video, Allen’s meticulous, puppet-threaded world of myth and fire comes further into view.
Camille Camille returns with In A Song, a dusty and atmospheric new single out now via Labelman. Built around insistent train-like percussion and ambitious fingerpicking, the track sees Belgian singer-songwriter Camille Willemart leaning into psychedelic folk territory — restless, searching, and quietly assured. The first taste of an upcoming album, it’s an ode to doubt and the pull of new beginnings.
Grief can do strange things to a songwriter. For Alela Diane, the death of Portland folk legend Michael Hurley last year didn’t close a door — it flung one wide open. Who’s Keeping Time?, her seventh album and debut on Loose Music, arrives May 22nd as a communal, attic-recorded reckoning with time, memory, and the enduring pull of song. Listen to lead single ‘California’.
Juni Habel has shared the video for Stand So Still, the latest single from her upcoming third album Evergreen In Your Mind (out April 10th via Basin Rock). Shot by Malin Longva at Verdens Ende, Norway, the visuals match the song’s quiet ambiguity — a folk gem that opens like something ancient before drifting, on Habel’s voice alone, somewhere entirely its own.
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