KLOF No. 94 opens and closes with Cynefin, whose “Shimli” album draws on the Welsh tradition of farmers singing as their oats baked. Trá Pháidín contribute two tracks from “An 424,” their musical map of South Connemara’s bus route. Deep shelf-digs unearth Espers, Eliza Carthy & Tim Eriksen, Berangere Maxmin, three cuts from a 2006 John Fahey tribute and more.

Mama’s Broke’s Amy Lou Keeler and Lisa Maria discuss “Reunion,” their latest album, one of stark emotion and stunning but subtle playing. Born from Nova Scotian roots, Appalachian tradition and Eastern European influences, their deliciously dark folk resists easy labels. The pair talk origins, co-writing, folk as political expression, and the collective feeling that keeps their collaboration fresh after a decade on the road.

Rowena Wise’s “Bad Things Feel Good*” expands on her impressive debut with quiet sincerity and intimacy as calling cards. She moves between swooping maximalism and spine-tingling closeness, juggling contradictory elements. The mess has been transmuted into something beautiful, with a skillfully directed emotional sting—the bigger picture without losing sight of small details—the perfect soundtrack to contemporary emotional life.

Dean McPhee has shared a video for “Indica Fields” from “Northern Earth”, his sixth full-length album, due 11 September on Bass Ritual. The video uses BFI archive footage from the final edition of the National Coal Board’s Mining Review series. Originally a sold-out limited cassette, the album arrives on 180g heavyweight vinyl — three compositions recorded live with no overdubs.

Garefowl return with “Things That Vanish,” their second album, recorded on St Kilda’s main island at night. No synthesizers were used — drones were created from X-ray diffracted rock and bone samples. Nine tracks, each named for one of the archipelago’s threatened seabirds. Out 2 October via AD 93.

Max Subar’s “Anything Could Be” started with ten days alone in a house on a frozen Wisconsin lake — just a mobile rig, live vocals and guitar. Back in Chicago, a small cast of collaborators gave the recordings flesh without crowding them. Loose, lived-in and radically patient, Subar walks us through his Merge Records debut track by track.

Laura Misch has announced “Lithic (Live at the Barbican)”, a live recording of her second album captured at her largest headline show to date. Out September 4th via One Little Independent Records, the live album reworks the electronic atmospherics of “Lithic” for a five-piece ensemble — handcrafted, ritualistic and raw. Watch the live video for the lead single “Soften” now.

Nora Stanley’s “Glass” is a quietly gorgeous debut. Previously known as an instrumentalist, Brooklyn-based Stanley has found her feet as a songwriter with remarkable speed and apparent ease, her primary muse the poet Anne Carson. As the album progresses, personal and political themes twine inseparably around each other. Perfectly timed and executed with a grace and lightness extraordinary for a debut.

Artist of the Month

Mama's Broke – Reunion

On Heavy Rotation

Rowena Wise – Bad Things Feel Good*
Blake Hornsby – Brugmansia
Nora Stanley – Glass
The Powers Ensemble – Kindling
Creekbed Carter Hogan – Peasants Revolt
Cinder Well – A Blooming Body
Johnny Bell – Mountain States
Myer U Clark – Tinderbox

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