Athina Rachel Tsangari’s Folk Horror “Harvest” in Cinemas this week

"With this film, an adaptation of Jim Crace’s novel Harvest, we had the chance to examine the moment when it all began for us, 21st century heirs to a universal story of land loss..." Athina Rachel Tsangari

by Alex Gallacher

In her 2024 film Harvest, director Athina Rachel Tsangari has crafted a distinctive and atmospheric period piece that defies easy categorisation. Infused with elements of folk horror, it chronicles the irrevocable transformation of a rural Scottish village, led by an ensemble cast featuring Caleb Landry Jones. The narrative unfolds over seven hallucinatory days, capturing a community on the brink of profound and unsettling change.

A large group of villagers in rustic, historical clothing stand in a grassy field, listening to a man in a blue tunic and red cap who is addressing them.
Credit: Jaclyn Martinez, Harvest Film Limited

Set in a nameless village in an undefined era, the story centres on the disruption of a traditional agrarian way of life. The plot follows two childhood friends, the townsman-turned-farmer Walter Thirsk, played by Landry Jones, and the local landowner Master Kent, portrayed by Harry Melling. Together, they witness their idyllic community face seismic economic turmoil and the arrival of unexpected invaders from the outside world. These events introduce the “trauma of modernity” and the perceived threat of the outsider, forcing the villagers to confront a potentially damaging new reality.  

In a rural setting, two men are locked in a wooden pillory while a third man in a red tunic stands behind them, offering one a drink from a bowl.
Credit: Jaclyn Martinez, Harvest Film Limited

Adapted from the Booker Prize-nominated novel by Jim Crace, Tsangari’s film is a deliberate examination of a universal story of land loss. The director views the film as a form of reckoning, posing questions about historical actions and our collective future. She frames the story within a “threshold realm,” tracing the initial ruptures of the industrial age. This change is embodied by three archetypes who disrupt the community: a map-maker, people on the move, and a company man. Tsangari intentionally avoids creating heroes, focusing instead on “imperfect, ordinary folks” and imagining the film as a daguerreotype or a Polaroid slowly being exposed to twilight.  

A young man with shaggy blond hair sits on the muddy ground wrapped in a blue blanket, looking over his shoulder as a rabbit sits in the background near a small, extinguished campfire.
Credit: Jaclyn Martinez, Harvest Film Limited

Ultimately, Harvest is a spellbinding and eerie exploration of what happens when a society’s foundations are challenged by external forces. Supported by a cast that includes Rosy McEwen, Arinzé Kene, Thalissa Teixeira, and Frank Dillane, the film blends its textured storytelling with a philosophical inquiry into how communities are defined and who gets to decide their fate. It is a story steeped in superstition and atmosphere, promising a unique and thought-provoking cinematic folk horror journey.

In German theatres now, and in the UK, Ireland, Mexico, and Chile on July 18. Streaming August 8 in the UK, Ireland, Latin America and more. A MUBI Release.

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