Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Melanie McGovern

Never judge a book by its cover…or a record for that matter. However I love the pleasant surprise that often comes in doing just that. That was how I came to stumble upon Vadoinmessico, a five-piece based in London with members hailing from Mexico, Italy and Austria. They met at music college in the city in 2006 and it’s no wonder the summertime drizzle and grey skies made them yearn …

by Melanie McGovern

Fragmented, scrapbook recordings documented at his mother’s house, Mike Hadreas’ debut Learning is the kind of angst-ridden poetry that succeeds by being so shrouded in mystery and a tender incoherence that we are left intrigued rather than irritated. These lo-fi recordings echo the Woods, his vocals Sufjan Stevens’ girlish whisper and Neil Young’s pained falsetto.

by Melanie McGovern

Folk-shoegaze five-piece A Weather have been quietly lurking around since 2006, releasing The Feather Test 7 inch in 2007, followed by debut LP Cove the year after. This year’s Everyday Balloons, in keeping with the previous releases is out on Conor Oberst’s record label Team Love, and was produced by Adam Selzer who has worked with the likes of Norfolk & Western and M. Ward.

by Neil McFadyen

An intimate setting in Stirling’s Tollbooth theatre was the location for a double bill featuring Cormac Cannon, a Uilleann piper from Galway and a performance of Jenna and Bethany Reid’s The Shetland Bus Cormac Cannon is one of a talented group of young Uilleann pipers in Ireland today. Learning music from an early age, his influences include Galway pipers Eammon O’Broithe and Tommy Keane. He has avidly imbibed the techniques, …

by Melanie McGovern

Wig Smith is the other half of folk duo The Hand which comprises Bristol singer-songwriter Rachael Dadd. At the end of April he announced the release of his solo debut A Means of Escape Through a Hedge. There was little background information I could track down on this album other than the plentiful insights from the artist himself – the best we could have hoped for! Much like the lyrics …

by Brian

This is not the easiest of albums to review, because it’s near-perfect – and a string of superlatives is not very exciting after a paragraph or two, is it? But bear with me – you know that moment – as a player, as a listener, as a random passer-by – when a session suddenly takes flight? That gear change that can only happen when every musician is playing at the …

by Neil McFadyen

Duncan Chisholm has released Canaich, the second instalment in his Strathglass trilogy, on Copperfish Records. This follows on from Farrar, the award-winning first album in the trilogy, inspired by the highland landscapes populated by his ancestors. In 1988 Duncan Chisholm was a founder member of Wolfstone; within two years the band had become a full-time job and one of Scotland’s most talented musicians was at the start of an impressive …

by Neil McFadyen

The Cunningham family (Brian, Irene, Ashline, Michael and Lorraine) of Sean Nós dancers from Connemara in County Galway have performed with many of Ireland’s greats; Sharon Shannon, De Dannan, Altan, The Chieftains to name just a few. Recently they’ve been wowing audiences in Ireland with their own show, Fuaim Chonamara (Connemara Sound). This energetic show combining the ancient Sean Nós dance forms with more modern step dancing was presented at …

by Melanie McGovern

Portland, Oregon sextet Blitzen Trapper released their fifth LP Destroyer of the Void this week. Following on from predecessor Furr (2008) and the Black River Killer EP (2009) their latest is again released on Sub Pop. The recording took place in an attic studio in the Januarys of 2009 and 2010, where frontman Eric Earley and bandmates worked alongside studio engineer Mike Coykendall (Bright Eyes, M Ward) to create their …

by Melanie McGovern

A tiny sticky-floored venue which I had shamefully never been to before, hidden somewhere between the fast-food chains of Notting Hill Gate, lies this shabby-chic club: battered leather couches and a stage area that is more akin to a garage practice space…but perhaps is it this that gives the venue and the on-going night Communion its cosy, homely feel. From the minute we stepped down the stairs to the Mumford …

by Billy Rough

Following on from his third album, Low Culture, Jim Moray has delivered another outstanding work which flawlessly mixes traditional song with modern sensibilities and musical arrangements. In an entirely characteristically brave move Moray has taken the decision to pre-release In Modern History to a wide audience as a free 8 track CD through Songlines Magazine in April 2010, the full 10 track CD is realised in June.

by Neil McFadyen

Given his work with Flook, Shona Kipling and, more recently, his partner Kate Rusby, I expected Damien O’Kane’s debut solo album to be a collection of perfectly executed banjo tunes with the occasional song. Oh how I love to be educated. I was wrong; very, very wrong. In Summer Hill Damien has given us something rather special. Something with astute instrumentation, thoughtful arrangements and contributing musicians of the highest calibre. …

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