Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Melanie McGovern

Swedish sisters First Aid Kit’s “Happy 10th Birthday Wichita” show at The Garage proved the pair, still under 20 years old, to be growing masters of the narrative driven story songs they grew up listening to. We caught up with Klara and Johanna Söderberg before their show for a brief chat about Swedish folk music, their influences and plans to expand their line up:

by Melanie McGovern

The Communion Collaborations sprung out of a desire to continue on with the Communion franchise of home grown, generally London based, musicians. The night which began at the Notting Hill Arts Club in 2006 has been hugely successful in acting as a springboard for local musicians; catapulting the likes of Mumford & Sons and Laura Marling to fame.

by Billy Rough

Following on from their equally thematic album (Take Yourself A Wife) Megson’s Longshot takes another topic as its key – this time it’s working life that is played out in the polished narratives and well-crafted arrangements.

by Billy Rough

The eponymous debut album from young folk trio Tyde is an exciting and dynamic breakthrough piece of work. Finalists in the BBC Radio 2 Young Folk Awards in 2009 Tyde comprise of Heather Gessey on fiddle and vocals, Seth Tinsley on guitar and Andrew Waite on accordion.

by Melanie McGovern

London based singer songwriter David Thomas Broughton is a rare breed of artist whose flaws are charmingly kept intact thanks to healthy doses of spontaneity whether in the recording studio where he often lays down a track in one take, or on the stage which he too treats as a playground of sound, looping what noises he can from his throat, guitar and an amalgamation of objects stuffed into a …

by Billy Rough

The mighty Saltfishforty, comprising of Orcadians Douglas Montgomery on fiddle/viola and Brian Cromarty on guitar, mandola and vocals have steadily been wowing audiences with their infectious and feisty rhythms since the release of their debut album Goose Music way back in 2003.

by Melanie McGovern

Devendra Banhart may have cut his luscious locks but he is still the same, folky, psychedelic, Jim Morrison channelling, animal loving hippy he ever was. One member of a modern incarnation of the Laurel Canyon set, which today includes Vashti Bunyan, Vetiver and Joanna Newsom to name but a few, Banhart’s distinguishable hirsute 1970’s throwback look was the only thing lacking at a jam-packed Koko on Sunday night. Everything else: …

by Melanie McGovern

Seattle’s churning out some pretty decent musicians of late and delightful Bella Union are adding artist after great artist to their roster by the bucket load so Pearly Gate Music proves a perfect union between the label and the city of the moment. The moniker of Zach Tillman, younger brother of Josh; the Fleet Foxes drummer and acclaimed solo artist, released his impressive self titled debut earlier this year on …

by Billy Rough

It was a slightly subdued East Neuk audience that welcomed Spiers & Boden and Saltfishforty to the stage at the Byre Theatre, St Andrews on Friday, perhaps that was due to the heat of the warm July night. The boys, however, didn’t take long to rouse the audience and by the end of the night the quartet had the normally reserved St Andrew’s audience taping and clapping away they way …

by Melanie McGovern

UK record label Bella Union, now in their 13th year are one of the most recognised independent labels going, not least for their discovery of Fleet Foxes which earned the label its first Platinum record, but also for their impeccable roster of artists ranging from the highly acclaimed Andrew Bird and Explosions in the Sky, to the lesser known likes of their new recruits exposed at their Evening at Union …

by Billy Rough

Martha Tilston’s Lucy & The Wolves is her third solo album (although her backing band The Woods feature heavily throughout ) and is her first new album since 2007’s Of Milkmaids and Architects (2008’s Till I Reach the Sea being a compilation EP). The album marks a move away from the more political and social concerns of her earlier work (although these are still prevalent on Lucy & The Wolves …

by Neil McFadyen

Music has been used to spread messages; political, romantic, historical, for hundreds, probably thousands of years. It’s an effective medium and the musical traditions we’re so proud of owe their very existence to this fact. The trouble is, of course, that almost any message is open to interpretation. This CD, and the Folk Against Fascism movement it supports, have come about because of the misappropriation of British folk music and …

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