Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
by KLOF
Widely-acclaimed British three-piece the Martin Harley Band return with a brand new album entitled “Drumrolls For Somersaults,” on Villainous Records. True to the band’s idiosyncratic “British Americana” sound, the record is a beautiful blend of melodic songs combining such styles as swinging jazz and more laid- back country-folk alongside striking three-part harmonies. The album title is inspired by Martin’s life experiences of, to use his own words, “getting twisted in …
Rebekah Findlay’s independantly released debut album, Northern Skies, is a mix of self-penned and traditional songs that showcase a multi-talented artist. The opening track, Far From Home, suggests we’re in for a mellow journey with a gentle but confident guitar providing lovely rich tones, alongside light, airy vocals. It’s soon clear, though, that Rebekah is not shy about adding some power to her voice and you begin to get a …
by KLOF
Back in 2008 we saw Anglo-American duo Cath and Phil Tyler release their debut album ‘Dumb Supper’ to great critical acclaim across all divides of the modern folk landscape – as Plan B rightly noted, “Dumb Supper is one of those rare modern folk albums that will find a home both in the longstanding ‘traditional’ music community and among those attracted to the form’s more experimental and lo-fi possibilities”. And …
Joseph Topping, from Wirral, is a multi-instrumentalist / singer / songwriter and by all accounts likes to keep himself busy. As well as gaining a reputation for his own work, he’s also known to use his considerable talent as part of The John Wright Band, Ashley Hutchings, The Rainbow Chasers and Elbow Jane. Ghosts In The Shadows is his third solo album and first for Fellside Recordings. In this mixed …
by KLOF
One of the greatest things about running Folk Radio UK is the amount of time I get to spend searching out both new and old music. If I was given half the chance, I would happily spend most of the day doing it, OK, and night! I came across this one during another late night hunt. This time I was tracking down old albums through Smithsonian Folkways. The title of …
Bristol based Rachael Dadd’s feet pretty much only touch ground when she hits the stage. For the past two or so years she has been touring almost constantly; playing shows in England and further afield Japan, whilst in-between times; stitching craft things and painting personalised record sleeves for sale at gigs. After the Ant Fight (2009) is a collection of piano ballads and more heavily instrumented tracks with rootsy folk …
Lizzie Nunnery, from Maghull in Merseyside, has two EP releases under her belt and a string of successful live appearances. Her debut album Company Of Ghosts, released on Fellside Records, provides even more evidence of her performing and song writing prowess. I’m always glad to hear a regional accent in a singing voice and Lizzie’s is an asset from the first line, as is her distinctive vocal style. In the …
Following up 2007’s debut Hopey; Rhode Island-based Allysen Callery released her second album Hobgoblin’s Hat in February this year. The LP’s title tips its hat to Finnish author Tove Jansson, of Moomins fame, who happens to be one of Callery’s favourites. In keeping with this fairytale Moominland, her songs are a collectively dark form of storytelling, with the singer songwriter often reworking her self-written poetry (“Vincenzo Part 1 & 2”). …
by Mike Wilson
You’re unlikely to be familiar with the name T. G. Elias. At present, Elias seems to spend his time travelling between small, select venues who provide valuable opportunities for underground musicians to take their first tentative steps, and reveal their wares to an audience full of expectation and preconception.
Joanna Newsom has come a long way since her 2004 debut The Milk Eyed Mender: a collection of short heartfelt songs, almost nursery rhymes telling of mollusc weddings and dragons. Written by an Elfin-like creature who appears to be a modern incarnation of the Pre-Raphaelite painting The Lady of Shallot, she sings in a shrill accapella voice, commonly likened to that of a child, much to our singer’s dislike. All …
by KLOF
I just remembered this great track (re-version) of Juana Molina’s, “Salvese Quien Pueda”. It’s taken from the Salvese Quien Pueda ep and includes two Four Tet remixes although this one is “Juanas Epic Re-version”. You can download it here. You’ll be hearing more from Juana soon on our Frukie Channel.