Cinder Well returns with new album “A Blooming Body,” out July 17th via Hen House Studios. Lead single and video, “While the Womb Screams Silently” is out now — inspired by Céline Sciamma’s Portrait of a Lady on Fire — “about listening to your inner knowing, which often screams loudly but is ignored for the sake of conforming -constantly trying to break out of the restraints and projections of patriarchy…”

Of all the artists that emerged from the freak folk/New Weird America boom of the early noughties, Josephine Foster is one of the most enduring, and certainly one of the most interesting. On her new album Adormidera, she and Víctor Herrero have created, through a kind of alchemy, an artefact that seems to grow more beautiful with every listen.

Jeffrey Silverstein has signed to UK label Full Time Hobby, sharing new single and accompanying video Coming Back Around. Last covered on KLOF for 2023’s Western Sky Music, the Portland-based songwriter sits at the intersection of loner-folk, cosmic country and kraut-laden choogle. Coming Back Around finds him immovable, intentional, and most of all, at peace.

Beverley Martyn, the British folk singer-songwriter whose career ran from the Levee Breakers and Monterey Pop to a hard-won late return, has died at 79. KLOF Mag made her our Artist of the Month in 2014 around “The Phoenix and the Turtle” — the record that confirmed her, in Helen Gregory’s words, as a musical phoenix rising from the ashes.

Brighton’s Phantom Limb give American composer Michael F. Hunt his first-ever commercial release. Passage of Time, out June 19th, gathers three longform works recorded between 1980 and 1985 — pitched as a missing link between New Age, American minimalism and large-scale ensemble composition. The lead single, an edited version of the epic opener “Music for Multiple Keyboards,” is available to stream now.

London folk singer-songwriter Charlie Franklin has shared ‘Patchwork of Colours’, the lead single from her forthcoming self-titled debut EP, due 27th May. Produced by Natalie Wildgoose, the EP was tracked live to tape with guitar and vocals on first takes — feather-light folk in the lineage of Laura Marling and Kate Wolf.

Nina Winder-Lind, the Brighton-based, Swedish songwriter and multi-instrumentalist best known as a member of “Hagstone rock” band The New Eves, shares new solo single and video “This is Our Life” via Transgressive. Blending folk-pop warmth with an upbeat, driving pulse, the song foregrounds her magnetic vibrato and instinct for melody, balancing intimacy with the exuberance that runs through her work.

Cole Berliner shares ‘Bongo Syndicate’, the second single and video from his Drag City debut The Black Door, out May 29th. Guitar and bass push and pull through interlocking lines at a glacial pace — fingerstyle weave evoking an ’80s Leo Kottke session at ECM. Brian Bartus’s accompanying video patches in mystic grasslands, with Berliner’s silhouette glitching from biome to biome.

Australian duo Luluc — Zoë Randell and Steve Hassett — announce their sixth album “Sweet Thief,” out 10th July on Community Music, and share the video for lead single “Rewarding Melody.” Sketched out in Brooklyn last summer, the record takes its title from a Shakespeare sonnet and prises apart the shiny surface of modernity. J Mascis adds jaunty drum percussion.

Blood Sucking Maniacs, the self-titled debut from Terry Allen’s multigenerational family band, is out now on Paradise of Bachelors. Spanning five generations and 121 years across twenty-two tracks, it folds in Jo Harvey Allen, sons, grandsons, Panhandle Mystery Band stalwarts and a barrelhouse-piano-playing matriarch captured on seventies cassette. Free, wild, tender, and gloriously unruly — Americana cross-pollinated across the ages.

Monday Morning Brew #152 is open to everyone this week. The playlist opens in Tucson with Howe Gelb’s expanded Giant Sand, lingers with Vetiver, Micah P. Hinson and Bill Callahan, then dives into the Swiss underground via Les Disques Bongo Joe — Orchestre Tout Puissant Marcel Duchamp, Cyril Cyril, Meril Wubslin — alongside The Black Angels’ Alex Maas and French improviser Romain Baudoin.

KLOF No. 81 opens with Hannah Peel and Beibei Wang’s rhythmic duet from The Endless Dance, moving through Cocanha’s radical French trad, Leenalchi’s pansori allegory for their Luaka Bop debut, and the first album of Himba music ever released from Northwest Namibia. Plus Shye Ben Tzur and Jonny Greenwood, Marisa Anderson, Mama’s Broke, Jim Moray, BCMC, Zoh Amba, Emily Portman, Anna McLuckie, Myer U Clark and more.