inge thomson
Birdvox are a kind of supergroup, and on ‘Shamming the Drama’ the quartet may, at any given time, backtrack into traditional Scottish folk, sidestep into pulsing disco beats, and lean into glitchy, blissful electronica. Their debt to traditional music gives their sound a unique edge, but of all the many elements that make Birdvox sound like no other band, that sense of community might be one of the most important.
We’re premiering the video for “King Orfeo,” the debut single from Birdvox — the new project from Sarah Hayes, Inge Thomson, Jenny Sturgeon and Charlotte Printer. An adaptation of a traditional Orpheus myth with a refrain in the now extinct Scandinavian language of Norn, it’s the first taste of their forthcoming album “Shamming The Drama,” due on Hudson Records later this year.
An eclectic group of multicultural musicians, including Lau, Inge Thomson, Julie Murphy, Rachel Taylor-Beales and more, have contributed a digital download album in support of the One Day Without Us campaign which calls for a national day of action on February 20th 2017 in solidarity with migrants and refugees who live, work and study in the UK.
This weeks mix finds a strong Scottish contingent including two of Lau’s players with tracks from Aidan O’Rourke’s latest Imprint (E.P Series 2.0) and Martin Green’s Flit. Also included are two tracks from recently reviewed albums from Trail West and Iona Fyfe Band. Alongside these are some personal favourites that we’ve covered in the past as well as new offerings from The Driftwood Manor and Nick Jonah Davis’ House of …
Da Fishing Hands, the latest release from Inge Thomson, saw its debut performance on Fair Isle in May 2014, this short film documents that performance and provides background to a project which ultimately aims to protect the marine environment around the Island and for it to be sustainably managed as it has been historically by Fair Isle folk.
Da Fishing Hands is a resounding creative success on a number of levels. Inge Thomson and her collaborators have painted a vivid picture of a changed and changing community. It’s as much an important historical document as it is a powerful artistic statement and, above all, a mesmerisingly beautiful record with top class musicians including Sarah Hayes, Fraser Fifield, Steven Polwart and Graeme Smillie.
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