Featured

Kerry Fowler’s solo EP, Dance of the Selkie, is a fine introduction to a promising singer songwriter who’s garnering some much deserved praise for her well-crafted and atmospheric ballads.

It’s been a while since I sat down and did a mix. This mix was inspired by music that I listen to when I’m either out walking across woods and fields or working outside during the winter.

Formerly the project of Luke Temple, Brooklyn’s Here We Go Magic has now expanded into a five-piece, and since signing to record label Secretly Canadian just a year ago they have gone on to tour with the likes of Grizzly Bear and The Walkmen, as well as receiving praise from none other than Radiohead’s Thom Yorke, who stated of their Glastonbury performance, that it was the best thing he’d witnessed all weekend.

Timber Timbre, the moniker of Taylor Kirk, is the rich onomatopoeic term given to what he describes as his “very woody sounding” early recordings. A Canadian musician whose music has been described as “swampy, ragged blues” both “cinematic and spooky” the solo project has now expanded to comprise an additional two members, violinist Mika Posen and Simon Trottier on lap-steel and auto harp. I got to catch up with Kirk and co at their label, Full Time Hobby’s offices for a …

Rachael Dadd is seated onstage at North London’s The Luminaire, arranged on a table beside her is a collection of crockery and three sets of chopsticks. It is an interesting experimental set up that I’m lucky enough to watch blossom into a spontaneous, twinkling performance of a new song that she tells me is inspired by her husband’s cooking of rice.

Despite musical beginnings a decade ago in Athens, Georgia under the moniker Fillup Shack, Matthew Houck’s better known Phosphorescent guise only recently crept out of the woodwork with acclaimed 2007 LP Pride, the lo-fi, haunted tones of which earmarked him as an artist of a similar highly praised songwriting stature to Will Oldham and Iron & Wine’s Samuel Beam.

Allysen Callery has been playing on Folk Radio UK for quite a while now. We were bowled over by her album Hobgoblin’s Hat. Her music and lyrics are other-worldy and spellbinding. We were over-joyed therefore when she agreed to record this session which she stretched to five tracks instead of the usual four (a great bonus). It was recorded late at night by Myles Baer and she tells us they …

Blabbermouth, aka Steve Thompson, burst on to the UK music scene in 2008. After leaving university with a degree in Fine Art, ever the gambler, Steve struggled to be an ‘artist’ in the city and so he buried his paintbrushes when he won £250 at the casino and invested in a 12-string guitar. Despite having to trade his guitar on numerous occasions for rent, his talent, wit and love of …

Swedish sisters First Aid Kit’s “Happy 10th Birthday Wichita” show at The Garage proved the pair, still under 20 years old, to be growing masters of the narrative driven story songs they grew up listening to. We caught up with Klara and Johanna Söderberg before their show for a brief chat about Swedish folk music, their influences and plans to expand their line up:

It’s a very rare occurrence to stumble upon an artist whom you find to be both refreshing yet somehow like an old friend, in the stories they share and the emotions they stir up. Watching Rhode Island’s Brendan Glasson play under the moniker Vio/Miré on Wednesday night; supporting David Thomas Broughton; was just one of those occasions.

Emily and the Woods is the very first Frukie Session to be recorded exclusively for Folk Radio UK and we hope there will be many more to follow. It was at the Communion launch night in Bristol that I first heard Emily and the Woods. There was a problem with her guitar so microphones were strategically placed around her in the hope of some amplification. The result was that the …

This mix began with an experimental piece by Caoimhín Ó Raghallaigh. I never quite know where a mix will go and it pretty much depends on my mood and what is influencing me at the time. All of it was done late at night, in those quiet small hours.

This site uses cookies. By continuing to use the site you consent to their use. Close and Accept Use of Cookies on KLOF Mag