For Winter Solstice, Michael Tanner treats us to a collection of hymns, carols, folk standards and field-recordings from the past 800 years. Whether it’s the pointed, bird-like quality of Jean Ritchie’s bare-branch voice or the hollow, reverent filigree of Dolly Collins portative organ, something about their use of minimalism perfectly captures the stark landscape, stripped of colour and commotion.
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