Nathan Bowles
“Seven Lefts” is a mammoth, tangible album of improvised drone, muscular riffs and deep-thinking ambition — unlike anything Nathan Bowles has done before. While on paper, it’s a real challenge with over an hour of improvised, scuzzy sound and insistent, burly refrains, it’s a surprisingly listenable, addictive set that demonstrates the range and ambition of this meticulous musician. Boom.
Gum Bump’s syncopated grooves dance across the stereo spectrum in oozing fits before synthesizers erupt into heaps of magma — Setting crafting their own singular dynamic funk. Built on long exploratory sessions, Fennelly, Bowles and Westerlund have developed a shared syntax that transforms electric spontaneity into something more elaborate and impactful. Urgent and smouldering, patient and emotive: a thrilling statement.
Featuring Nathan Bowles, Jaime Fennelly and Joseph Westerlund, “at Public Records” is the latest live album from Setting, on which all four pieces stand out in very different ways, but together make a whole that is one hell of a listening experience. A worthy conclusion to a trio of live albums that feel as relevant and accomplished as their debut album, Shone a Rainbow Light On.
