Lavinia Blackwall

Lavinia Blackwall’s “The Making” is her most fully-formed conception yet — frank, dynamic songwriting turbo-charged by Marco Rea’s production. Former Trembling Bells bandmate Alex Neilson travels to her home in the hills of Molise to interview his oldest friend about melody-first writing, escaping mediocre situations, and finding a sense of freedom in Italy and at her off-grid cabin in Carbeth.

Bring Your Own Hammer returns with two new singles, giving voice to figures the archive left in the margins. “The Cruel Father,” from Lavinia Blackwall and Neil Farrell with SJ McArdle, draws on an 1860s ballad about a father who abandoned his infant son. “The Girl from Spark’s Lake,” sung by Sophie Coyle, follows a runaway chasing bluebells.

Lavinia Blackwall’s ‘The Making’ is a masterwork of the acid-folk form, full of confidence and devoid of weak spots. From the title track’s seductive melange of medieval breakdowns to the Midlake classic-sounding backdoor reverie of ‘We All Get Lost’, featuring some marvellous descending vocal phrases that bring Annie Haslam of Renaissance to mind, the highlights are plentiful throughout this exquisite new album from the former Trembling Bells multi-instrumentalist and vocalist.

Lavinia Blackwall, renowned for her work with Trembling Bells, will release her new solo album, “The Making,” on May 30th via The Barne Society. Watch the video for the lead single and title track, premiering today on KLOF Mag.

Enjoy the ethereal vocals and powerful lyrics of Lavinia Blackwall on her new single ‘The Damage We Have Done’, a potent dose of folk-rock and a sign of new things to come.

With their incredible debut record, Wyndow capture the contradictory feelings of uncertainty and familiarity of the last 18 months into this experimental time capsule of beautiful melodies, ethereal vocal layers, and powerful lyrics.

Watch the superb video for ‘All Cameras Gone’, the latest single from Wyndow (Lavinia Blackwall & Laura J Martin), a gorgeous paean to the dust and crackles of the analogue age.

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