Joe Westerlund
Setting’s self-titled second studio album sees the North Carolina-based experimental trio of Nathan Bowles, Jaime Fennelly and Joe Westerlund, distilling their blend of acoustic instrumentation, cassette loops and electronics to thrilling effect. The intricate detailing and impeccable construction, along with a clear confidence across the five songs, make “Setting” their clearest expression yet — without a doubt, the perfect title.
Gum Bump’s syncopated grooves dance across the stereo spectrum in oozing fits before synthesizers erupt into heaps of magma — Setting crafting their own singular dynamic funk. Built on long exploratory sessions, Fennelly, Bowles and Westerlund have developed a shared syntax that transforms electric spontaneity into something more elaborate and impactful. Urgent and smouldering, patient and emotive: a thrilling statement.
Completing his solo trilogy, percussionist Joe Westerlund moves away from loose improvisation toward sturdy, irresistible grooves on Curiosities from the Shift. Inspired by the foundational clave pattern, this record weaves a rich tapestry of metallophones, electronics, and deep bass. It is a treasure trove of rhythmic exploration that feels both meditative and energetic—a euphoric, detailed album that demands and rewards repeated listens.
Featuring Nathan Bowles, Jaime Fennelly and Joseph Westerlund, “at Public Records” is the latest live album from Setting, on which all four pieces stand out in very different ways, but together make a whole that is one hell of a listening experience. A worthy conclusion to a trio of live albums that feel as relevant and accomplished as their debut album, Shone a Rainbow Light On.