Jeremiah Chiu

On How You Been, SML perfect their collaging technique. Tracks sound more complex and intuitive, and they instinctively work a groove, moving from space-age synths to gritty, organic minimalism. Variety is key, from creeping percussion to soft-focus krautrock. This is improvised music at its most engaging and immediate. SML have created another special album, one that forges bright new pathways in American jazz.

Los Angeles supergroup SML have shared “Chicago Four,” the latest single (accompanied by a video) from their highly anticipated second album, How You Been, set for release on November 7th via International Anthem. Continuing their unique method of sculpting studio albums from live improvisations, the track uses a recording from Chicago’s legendary Empty Bottle as its foundation.

SML, the LA-based quintet of Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum, and Gregory Uhlmann, is set to release their second album, How You Been, on November 7th. The album’s lead single, “Taking Out the Trash,” and an animated video are out now. The new work expands on the group’s unique approach to crafting hyperrealist, collectivist music from live improvisations.

Like Eric Satie in his day, Jeremiah Chiu & Marta Sofia Honer realise that intelligent, modern music doesn’t have to be brow-furrowingly serious, even when serious themes are being explored. Different Rooms is the perfect example of how quick and luminous this kind of music can be.  

Los Angeles’s own cosmic voyagers, Jeremiah Chiu and violist Marta Sofia Honer, have offered another tantalizing glimpse into their forthcoming album, Different Rooms. Their latest dispatch, Side by Side, finds the duo in esteemed company, joined by the ever-exploratory guitarist Jeff Parker. The track is a potent teaser for the full-length, which is slated to arrive on June 20 via the reliably forward-thinking International Anthem.

While Small Medium Large, the exploratory kosmische jazz debut from SML (Anna Butterss, Jeremiah Chiu, Josh Johnson, Booker Stardrum & Gregory Uhlmann) contains unexpected multitudes, even at its most complex moments, it remains bright and airy, reflecting an impressive and sincere unity to their playing.

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