Félicia Atkinson

Félicia Atkinson announces “SANS VISAGE,” a reimagined score for Georges Franju’s 1960 horror “Les yeux sans visage,” out June 26 via Viernulvier Records. Following her recent collaboration with Christina Vantzou, the 34-minute album embeds piano in electroacoustic textures and is dedicated to Gisèle Pelicot. Lead preview “Les Yeux II” is available to hear now.

Félicia Atkinson and Christina Vantzou’s “Reflections Vol. 3: Water Poems” is a breathtakingly beautiful world of hushed, swooning sonics and suggestive spoken word. The duo describe personal moments but present them as shared worlds, as if exploded by magnification. Its every moment rings with care, craft and impressive sonic exactitude. An utterly compelling musical journey, out April 10th via RVNG Intl.

Félicia Atkinson and Christina Vantzou announce Reflections Vol. 3: Water Poems, arriving April 10, 2026, via RVNG Intl. This collaborative LP explores “oceanic enigma” through spoken word and electro-acoustic textures. The lead single, “Film Still / The Sea,” features field recordings from ancient Delphi and is accompanied by an impressionistic Super 8mm video by Natasha Giannaraki, capturing the duo against the rugged coastline of Hydra.

On Annie A’s ‘The Wind That Had Not Touched Land’, the boundaries between song, sound art and poetry disappear in a flicker or a haze, and the results are quietly mesmerising.