Fohr’s work as Circuit Des Yeux is consistently challenging, boldly experimental and always liberating. -io is probably her strongest work to date, a powerful statement born out of genuine feeling.
We talk to Circuit des Yeux about her latest album ‘Reaching for Indigo’ and her new project commissioned by Opera North to score the cult silent film Salomé which is to be performed as part of the Leeds International Festival and at the Barbican in May 2018.
Playing at The Lexington it initially looks as though she’s set to downscale, accompanied by just cello and drums, occasionally playing a 12-string guitar herself…Yet Fohr’s voice alone fills the stage, with its range of deep swoons and anguished yelps.
