Honest, in-depth album reviews (and more) by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
The sheer ebullient inventiveness of the duo’s musical settings, their committed sense of fun, their consummate, enviable musicality, their serious ability to grab your attention and carry you through the experience – all these qualities are faithfully conveyed in this lovingly crafted exceptional recording.
Stanley Brinks & The Wave Pictures’ latest offering, ‘My Ass’, is a powerfully honest album which, when played back-to-back with Gin, creates an almost perfect soundtrack to the humdrum, everyday existence of many people, to the ups and downs of lives lived to the fullest extent possible and, for that alone it is definitely something to be cherished.
The Scott Wood Band have delivered a stunning first album and it seems only natural that their already successful career is going to flourish yet again. They have set the bar extremely high, not only for any future recordings that they release, but also for other tune orientated folk bands across the UK.
Pearl and the Beard offer up their third and final studio album, Beast. A precious and alluring parting gift, the trendy trio leave behind a feel good album filled with pop grandeur and luscious harmonies.
Between them The Dovetail Trio, an invigorating new grouping of three proven talents: Matt Quinn, Rosie Hood and Jamie Roberts, have managed to work miracles in terms of creating a highly distinctive style and sound on their debut album Wing of Evening.
Light Up the Dark is the latest offering from The Outside Track. Using musics of their native lands of Scotland, Ireland and Cape Breton as cornerstones there really is no dull moment amongst this generously-stocked offering. Another glorious and strong release from this world-class pan-Celtic band.
Atlantic Drifter is the latest album from FRUK favourite Jonathan Day… It has an air of quiet self-assurance which negates the need for any superfluous bells and whistles. The music exists in and of itself yet remains both approachable and absorbing; placeless but grounded, timeless and yet somehow outside time.
Fernando Moresi Haberman is a fingerstyle guitarist who has an interesting history. Currently residing in Barcelona ‘Estudias #1’ is his first EP inspired by the likes of John Fahey, Robbie Basho, and William Tyler.
