Albums

At the heart of Spiers & Boden’s “Fallow Ground” is the utter joy of two friends making music together. It’s a joyful, exciting, and beautifully produced release and it’s so great to have them back.

Throughout ‘Home No More’, the Folkatron Sessions make clever use of subtle experimentation to enhance and celebrate traditional song. This is experimental folk at its best. Excellent.

With sympathetic arrangements moving alongside each other fluidly throughout and Steve Gunn’s voice to the fore, ‘Other You’ is his most elegant sounding solo record yet.

Featuring songs from landworkers and some well-known folk singers, ‘Stand Up Now’ is a beautiful and enchanting album that uses its traditional sound to explore a range of political issues surrounding the agricultural industry. Ultimately, it’s an album about hope; hope for a better, fairer world.

The changing moods of Sam Kelly and the Lost Boys‘ “The Wishing Tree” form a big part of its charm. From the thought-provoking lyrics to the musicianship, you’d be hard pushed to find the merest chink in their armour and here they demonstrate that to perfection.

Arriving ten years after The Faux Paws first got together, this debut may have been long in the gestation, but the experience and musical wisdom accumulated in that time has clearly paid off for a quietly unassuming but highly infectious album.

As a project, this Sonafric safari is a triumph in unearthing and presenting the music and musicians of Yaoundé’s underground music scene of some 50 years ago.  The legacy offered here on Cameroon Garage Funk illustrates the timelessness of the music and is highly recommended.

Recorded at a countryside retreat in Kildare with Myles O’Reilly, Rónán Ó Snodaig’s Tá Go Maith is an album not to be rushed but instead presents an opportunity to slow down and embrace its evocative gentle mood and positivity.

The incisive songcraft on Lorkin O’Reilly’s ‘Marriage Material’ pulls you into his world – a place of graphic memories, hearts and flowers, wide-eyed wonder, hopes, regrets, and life’s little quirks – and it’s impossible not to surrender to the experience.   

Gorgeous and precise, ‘Days Awake’ is a masterful piece of work that takes Molly Linen’s signature serene sound and elevates it to new levels.

As Maartin Allcock said his final farewells from the stage at Cropredy in 2018, we all knew his musical legacy would continue to entertain and astound for years to come. Now, Talking Elephant have helped that process along by re-releasing OX15.

John Jenkins’ ‘If You Can’t Forgive, You Can’t Love’ is a summery hook-laden indie-pop free-flying balloon ride that makes you want to push the replay button and listen to the whole album all over again.