News

Jude Brothers announces “Dogwood Maiden Voyage”, their first double LP, out 25 September on Gar Hole Records. The Arkansas-born songwriter shares the first single, “Desire & Devotion” — written on the cliffs above the Northumberland sea and carried by a hand-built puppet video — a churning meditation on desire, devotion and the impossible wish to be free of wanting.

Le Ren shares “Every Age”, a new single and video directed by Talvi Faustmann, from her forthcoming album “Don’t Be Funny Without Me”, out 28 August via Royal Mountain Records. Over guitar, gentle percussion, fiddle and lapsteel, she turns a simple wish — to have known someone at every age of their life — into her tenderest song yet.

Sylvan Esso have announced “Ow ∞”, their first album in four years and the first released on their own Psychic Hotline label. Made almost daily since 2022 at their Betty’s studio, it gathers the largest community of musicians the duo have ever worked with across twelve tracks. Out 11 September.

Duffy x Uhlmann — Meg Duffy of Hand Habits and Gregory Uhlmann — announce their second album “Hot Creek”, out 14 August on Orindal Records, and share new single “Public Life”. Taking Adrienne Rich’s “dream of a common language” as its frame, the duo reach for each other with two guitars on a record named after a Californian geothermal spring.

A. Lee Edwards carried a line from an old newspaper editorial in his wallet for years; it became “Without You”, the new single from his forthcoming album “Interpreting Heart Sounds, Vol. II”. Mixed by John Wood at Echo Mountain in Asheville, it’s hushed, string-forward folk about lost love and the disappearance of mill towns and a whole way of life.

Alex Dupree shares “I Can See Her In Your Eyes,” a country duet with Jolie Holland and the third single from “Talking to the Dog,” out August 14th via Scissor Tail Records. Two voices circle the same relational dead end from opposite sides — one still hung up on an old love, the other reading it plainly.

Bitchin Bajas give their “Isle Peaks” EP a wide release on August 28th via Drag City, after an initial Qobuz-exclusive run. Vinyl and cassette add the physical-only track “Watch Your Step”. The three cuts, pulled from the “Inland See” sessions and recorded to analogue tape, move between krautrock and new age. New US and European tour dates are also announced.

Lüüp premiere the video for “Horse Heart”, the opening track of “Meadow Rituals”, reissued as a 15th-anniversary 3CD expanded edition on Tadoma Records. Stelios Romaliadis’s 2011 album returns remastered from analogue tape, with live sets from two different line-ups and the full remix album. Lisa Isaksson’s voice against a double bass, hypnotising as it was fifteen years ago.

Emil Friis has released “Hollow Hands”, a four-track EP recorded in his Copenhagen studio through the autumn of 2025, following his album “Moving Images”. The Danish composer reshapes the sound of the piano itself, running it through ribbon microphones, Moog filters and a Wellspring reverb, with field recordings from southern Italy deepening the atmosphere. Kevin Brooks directs the accompanying film.

Horse Feathers have shared a demo of “Like Lavender”, recorded in one solitary take in a stairwell in NE Portland, ahead of the 20th anniversary reissue of “Words Are Dead” on August 28th via Kill Rock Stars. Justin Ringle wrote the song as he was crashing out of his old life in Idaho — a small portrait of a heartbroken young man.

Hana Stretton has shared “Before This”, an AA single pairing “As It Was Before This” with “Seagull Theory II”, from her second album “tiarn”, out August 7th. Lima Limo and Inpartmaint have announced a joint vinyl edition for Europe and Japan. Self-recorded in a small Australian beach town, the album came out of blue-hour swims and whale migrations.

Oren Ambarchi has shared “Hidden Tableau (excerpt)”, the first taste of “Cooked”, out September 25th via Drag City. Eiko Ishibashi’s piano ripples give way to a groaning synthetic voice from Konrad Sprenger, then swarms of guitar and synth arpeggios. Two side-long pieces, an international cast, and the wayward streak that runs under Ambarchi’s minimalism brought right to the front.

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