News
Taken from his new album, Hillbilly Ragas, Sir Richard Bishop’s latest single, “Pass the Juggernaut,” is a ferocious, brooding track that channels tradition, near severed from its source. It’s a journey into the “dark woods” of sound, with Bishop’s jagged, blunted strikes creating an intense and intimate musical experience that is both aggressive and profoundly soulful.
Fletcher Tucker shares the video for ‘Great Flowering Mind’, the final single from his forthcoming new album Kin (out this Friday). “…a song of kinship with the more-than-human – boulders, rivers and trees, spirits of place and long-dead ancestors…a song which describes and embodies the practice of kin-making (kinning).”
Secretly Canadian have reissued Songs: Ohia’s fabled 1998 album, Impala, on vinyl. Long out-of-print, the record is a raw document of Jason Molina’s songwriting, rooted in the blue-collar melancholy of Lorain, Ohio. This new edition offers a chance to explore a foundational work from a singular artist—listen to the unreleased demo of ‘Tess,’ captured during the original sessions.
Norwegian Hardanger fiddler, composer and writer Benedicte Maurseth has released “Simleflokk under månen,” the new single from her upcoming album Mirra. The hypnotic track evokes a herd of female reindeer journeying beneath the moonlight across the vast Hardangervidda plateau. Maurseth’s distinctive fiddle blends with folk traditions, minimalism, and wildlife sounds, continuing the immersive, ecosophical themes of her Nordic Music Prize-winning previous work.
Alongside a video by Ellius Grace, Alt-folk duo DUG have released ‘Have At It!’, the poignant title track from their debut album, arriving September 19th. The song’s title comes from a heartfelt family joke, anchoring the band’s unique blend of American and Irish folk traditions. Comprised of Lorkin O’Reilly and Jonny Pickett, DUG have also announced festival dates and a London headline show for November.
Modern Nature share their hypnotic new single “Alpenglow” from the upcoming album The Heat Warps, out August 29th via Bella Union. The record marks a shift to a more direct, groove-based sound for the band, led by a dynamic dual-guitar attack. Catch them on their extensive North American tour throughout the winter of 2025-2026, where they’ll bring their potent new energy to the stage.
Emily A. Sprague has announced her new album, Cloud Time, arriving October 10th. The record chronicles her debut tour of Japan through a series of environmental improvisations guided by the energy of each moment. The lead single, “Tokyo 1,” is a spacious and welcoming track capturing the emotional arc of a night Sprague calls “profoundly healing.” Listen now and view the visual by V Haddad.
North Louisiana’s blues titan Robert Finley returns with Hallelujah! Don’t Let The Devil Fool Ya, arriving October 10th. Produced by Dan Auerbach, the new gospel-infused album was incredibly improvised and recorded in just one day. The powerful single, “Helping Hand,” leads the project. Finley supports the release with a European tour, including a headline show at London’s Union Chapel on October 4th.
Poet Saul Williams and producer Carlos Niño have released “The Water Is Rising…”, a new single featuring poet aja monet. The track pits monet’s soft apocalyptic reading against Williams’s hopeful parable, set to swirling woodwinds from Kamasi Washington and ethereal vibraphone. It’s the latest preview of their collaborative album, Saul Williams meets Carlos Niño & Friends at TreePeople, recorded live outdoors and releasing August 28th.
Taken from her new album, American Dust, listen to Eve Adams’ new single ‘Get Your Hopes Up’. A spirited, noir-ish bar-room stomper with a nod to Nancy Sinatra, the track introduces an album described as a eulogy for the American dream. Set against the haunting backdrop of the American Southwest, American Dust is a bold stride forward for Adams, arriving August 22nd via Basin Rock.
Joan Shelley has announced her seventh album, Real Warmth, arriving September 19th on No Quarter. Recorded in Toronto with producer Ben Whiteley and a host of local musicians, the album aims to be “a capture instead of a meticulous construction.” The communal lead single, “Everybody,” is out now. Shelley will support the album with a North American tour this fall, with tickets on sale this week.
Three pillars of Chicago’s experimental scene—Whitney Johnson, Lia Kohl, and Macie Stewart—have formed a new trio. Their debut single, “Stone Piece I,” out now on International Anthem, transforms improvised strings and vocals into a textural soundscape using analog tape loops. The release previews their live debut at Chicago’s Sound & Gravity Festival on September 11th and a full album planned for 2026.