News
Félicia Atkinson and Christina Vantzou announce Reflections Vol. 3: Water Poems, arriving April 10, 2026, via RVNG Intl. This collaborative LP explores “oceanic enigma” through spoken word and electro-acoustic textures. The lead single, “Film Still / The Sea,” features field recordings from ancient Delphi and is accompanied by an impressionistic Super 8mm video by Natasha Giannaraki, capturing the duo against the rugged coastline of Hydra.
Tuareg pioneers and Grammy winners Tinariwen announce their tenth album, Hoggar, arriving March 13th. Returning to their acoustic desert-blues roots, the band shares the single “Sagherat Assani” featuring Sulafa Elyas, which highlights the vital role of female voices in Tuareg music. Recorded in Tamanrasset with a new generation of musicians, the album explores themes of displacement and defiance. A worldwide tour kicks off next month.
White Denim announce their new album 13, out April 24th, alongside the visceral lead single and video “(God Created) Lock And Key.” A masterclass in psyche-funk-blues, the record explores themes of survival and family through a lens of groove-heavy alchemy. Featuring original members Josh Block and Steve Terebecki, 13 blends experimental textures with the questing spirit that has defined the band for twenty years.
Spencer Cullum concludes his acclaimed trilogy with Coin Collection 3, arriving 27th March via Full Time Hobby. Lead single “Rowan Tree” is out now, accompanied by a surreal, hand-drawn music video by Gaia Alari. Blending English folklore with Nashville craftsmanship, the track serves as a haunting remedy for modern reality, featuring Alari’s evocative visuals that explore the clash between man and nature.
Jim Moray returns on 3 April 2026 with Gallants. Listen now to the lead single, “Flora (The Lily Of The West).” The album marks a bold new chapter in Moray’s ongoing exploration of traditional song, blending expert musicianship, thoughtful production, and a deep respect for the source material. Featuring diverse collaborators and cinematic arrangements, it reaffirms his place as a defining folk innovator.
Canadian indie-folk artist Cat Clyde announces her Concord Records debut, Mud Blood Bone, out March 13. Produced by Drew Vandenberg, the album merges rockabilly grit with raw folk-rock vulnerability. Lead single “Another Time” is out now, exploring Clyde’s Métis roots and the bittersweet nature of constant evolution. She kicks off an extensive North American tour with Boy Golden this spring.
Brooklyn composer more eaze (mari rubio) shares “the producer,” a raw single from her upcoming album ‘sentence structure in the country,’ out March 20th. Eschewing her signature Autotune for a vulnerable, bare vocal, Rubio crafts a delicate arrangement of strings and electronics. The track explores the sublimation of self in production, ahead of her April 15th release show at TV Eye.
Bill Callahan returns with “Stepping Out for Air,” the final preview of his upcoming album. Originally conceived 15 years ago for a project with Jim White and Warren Ellis, the track finally finds its home amidst “Zoloft pines” on My Days of 58. Catch him on his UK solo instore tour starting February 23rd.
Hen Ogledd return with “Clara,” a haunting single from their upcoming album DISCOMBOBULATED. The track blends pastoral beauty with the industrial grit of Northumbria’s mining history. An accompanying surreal video featuring a horse’s journey through 90s gaming nostalgia and medieval texts offers a psychedelic prelude to their immersive Valentine’s Day album playback and disco at Newcastle’s Star and Shadow.
The Wave Pictures return with “The House Painted Blue,” a surrealist pop masterpiece from their upcoming album Gained / Lost, out 27th February via Bella Union. Blending Allman Brothers-style guitars with Kafkaesque lyricism, the track captures a weightless, joyful depth. Following a sold-out London show, the trio will embark on an extensive UK and European tour throughout the spring.
UK songwriter Lande Hekt returns January 30th with her third album, Lucky Now. Produced by Matthew Simms, the record fuses her signature indie-pop with 80s jangle-pop influences. The title track and video, filmed in Scarborough, serve as a moving exploration of personal freedom—marking a shift toward a more grounded, grateful perspective for the underground staple.
Anna McLuckie’s ‘The Little Winters’ is a profound exploration of Cianalas—a deep, Gaelic sense of displacement. Her lead single, “Bitten Winter Skin,” serves as the record’s intellectual and emotional anchor, traversing the seasonal frosts of the soul and transforming the bitterness of transition into a resilient botanical metaphor.
