Interviews

Folk Radio UK talks to Californian born musician Alela Diane. Alela gives an intimate insight into her latest album ‘Alela Diane & Wild Divine’. She explains the reasons behind the new sound she has created and what inspires her.

Mike Wilson talks to Indiana-based singer-songwriter, Krista Detor who returns to Europe this April, playing throughout the month in the UK, Ireland, and the Netherlands. Krista also shares some exclusive demo tracks with Folk Radio UK

We recently caught up with Emily Barker who has just released her new album, Almanac with her all girl band, The Red Clay Halo. They are attracting more attention now then ever before making them a sought after act for festivals this year.

Dan Haywood’s New Hawks chronicles Haywood’s journey around Northern Scotland, his songs absorb the land, it’s people and wildlife. What may at first appear quirky becomes incredibly well rooted and natural. What took five years to create can never be done again. So we had to speak to him…

Lorcan Mac Mathuna talks about Sean nós, a traditional unaccompanied style of singing in Irish that, in recent times, existed only in the furthest reaches of Ireland’s landscape.

I recently came across the artwork of Jeannie Paske and an ongoing series she has called Obsolete World. I found the images both magical, fun and sad as well as exposing the fragility of life. I got the chance to talk with Jeannie recently about her work and to ask about what inspired her creations.

Kate Stables is the staple of folk project This is the Kit, who, alongside long-time collaborator Jesse D. Vernon, perform ordinarily as a two-piece splitting their time between Bristol and Paris. Initially noticed in 2006 thanks to a Folk Off compilation featuring other nu-weird-folksters Animal Collective and Vashti Bunyan, This is the Kit were hailed as a refreshing British folk act; with BBC Radio’s Huw Stephens referring to Kate as …

The moulettes were one of the highlights at this year’s Open House Festival. With the release of their self-titled debut album this year we caught up with them to talk about their music and influences.

Kerry Fowler’s solo EP, Dance of the Selkie, is a fine introduction to a promising singer songwriter who’s garnering some much deserved praise for her well-crafted and atmospheric ballads.

Formerly the project of Luke Temple, Brooklyn’s Here We Go Magic has now expanded into a five-piece, and since signing to record label Secretly Canadian just a year ago they have gone on to tour with the likes of Grizzly Bear and The Walkmen, as well as receiving praise from none other than Radiohead’s Thom Yorke, who stated of their Glastonbury performance, that it was the best thing he’d witnessed all weekend.

Expanded and now available on Substack: Timber Timbre doesn’t feel of this era; instead, it sounds like old testimonies, desperate bluesy numbers, and contemplations on the afterlife, redemption, guilt, and trials.

Rachael Dadd is seated onstage at North London’s The Luminaire, arranged on a table beside her is a collection of crockery and three sets of chopsticks. It is an interesting experimental set up that I’m lucky enough to watch blossom into a spontaneous, twinkling performance of a new song that she tells me is inspired by her husband’s cooking of rice.