Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Jon Bickley, Angeline Morrison and Cohen Braithwaite-Kilcoyne join forces on Grace Will Lead Me Home, exploring the controversial and complex history surrounding the hymn ‘Amazing Grace’.
Oren Ambarchi is once again joined by the rhythm section of Johan Berthling and Andreas Werliin for Ghosted II: an enriching, multi-layered and almost indecently accomplished album.
With an underlying theme of home, and featuring a number of co-writers and guest musicians, Ben Glover’s ‘And The Sun Breaks Through The Sky’ is a top-notch addition to an already outstanding catalogue.
Kiran Leonard’s ‘Real Home’ is spiky, literate and humane, and although it navigates some extraordinarily varied terrain, it never strays too far from its theme or from its ultimately melodic musical core. Real Home is an object lesson in combining experimental substance with accessible style.
Iron and Wine’s ‘Light Verse’ traverses times and tides, spinning a web that irresistibly draws you in. It leaves you wondering how Sam Beam can make such a complex record sound so easy.
Marlinchen In The Snow, the fourth studio album from Australian sibling duo Charm Of Finches soothes and disturbs in equal measure, whimsical but wise, like the bird in the fairy tale, it rises to sing the truth.
On ‘Eternity Mongers’, Michael Feuerstack has deliberately pushed himself out of his comfort zone. There is so much bubbling on the peripheries of these songs that the only thing to do is go back and listen again, an undertaking as rewarding as it is pleasurable.
Leyla McCalla’s ‘Sun Without The Heat’ is a consummate, original album that is Janus-like in its ability to communicate both sorrow and joy. Its shifting moods, musical styles, and influences make for a beautifully varied and rewarding listen.
“Already allocated a place in my albums of the year” – Both dark and profoundly moving, a confessional and a prayer, John Moreland’s ‘Visitor’ takes him back to basics, with an emphasis on his voice and his words.
