Albums

I Draw Slow’s new album ‘Redhill’ is, without doubt, their best release to date. This original Irish five-piece band have raised the stakes and have come out on top form. Their original musicianship and songs make them stand out from the rest. A very bright future ahead!

Jonathan Day’s ‘Carved in Bone’ is definately in the exceptional league and sets a very high standard that should bring him the much deserved wider recognistion across the folk circuit. This is a great album to get lost within.

While on first appearances an ambitious album, perhaps uncertain of what it wants to be, it succeeds in displaying an expression of sound and an intricacy with detail that shows deft skill in experimentation, something more than making up for moments that don’t quite gel.

Despite the choice of instrument on Ukulele Songs it is Eddie Vedder’s songs and sonorous voice that dominate your attention as well as some great duets with Glen Hansard and Cat Power.

Jo Bywater hails from Yorkshire, her songs expose her empathy with bluesy folk-tunes and portray the singer as a mature artist who knows her flaws and virtues yet knows how to play to the gallery.

There is a gentle subtlety about Snorri Helgason’s performances, both in his singing and his playing. It also captures some of that classic essence that calls to mind the likes of Neil Young and Harry Nilsson, both of whom he has been compared to. He is currently recording his sophomore solo album with Icelandic indie-pop great Sindri Már Sigfússon (Seabear, Sin Fang) manning the consoles.

Read Judith’s live Cologne review of The Tallest Man on Earth: The set features intense and assertive moments as much as reserved and tender ones, always reassuring the spectator that they are part of a wonderful evening that will stick with them.

Alela Diane has proven herself capable of a somewhat reinvention whilst never shedding her roots, and while her voice dazzled in its powerful country twangs and intonations, it was often the softer spoken plaintive tones that resonated more deeply.

Give The Felice Brothers ‘Celebration, Florida’ a consistent dose of straight-through plays and you have probably their best album to date. It is both broad, unplaceable and still somehow retentive of their beginnings.

The Horn The Hunt are a Leeds based duo, comprising of visual artist Clare Carter and Joseph Osborne. Their second album, Depressur Jolie, is genre defying, a calamity of influences held together by an intricate weave of darkened undertones which comes across perfectly in the video below for the track Old Town Cow.

Given the paralysing despair of his debut solo recording Last of the Country Gentlemen, Josh T Pearson’s live persona is a pretty chirpy guy in contrast to his recorded portrait of a lonesome folk troubadour.

Red Planet is a breathtaking vision of two beautiful people. It is a reflection of their travels, their hardships and jubilation. It is perfect! Read our review and watch the exclusive Philadelphia ‘Sun Room’ Sessions.