Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Les secrets du ciel, the solo debut of Québécois singer Yann Falquet, is a tour-de-force of his artistic vision on which he proves himself worthy of these great old songs, an interpreter of French-Canadian ballads with a remarkable voice and powerful artistry on the guitar.
Cheer Up is a journey through darkness, self-loathing and doubt into the light and salvation…John Blek’s voice has never sounded better; it’s unquestionably his finest work yet.
Brilliantly preserved and imbued with a shared, democratic performance ethos, The Complete Friends of Old-Time Music Concert, featuring the Georgia Sea Island Singers and guests, is so vital and powerful that it feels almost like being there.
As the song says, when the nights grow dark and the days overcast, we all need dreamers to shine a light and strike a spark to help us see the path; with Dreamers, the Wild Ponies shine their brightest.
On the latest Folklore Tapes Ceremonial Counties release, a fuller picture of the hidden history of England emerges as Rob St John covers strange beasts of Durham and Preston duo Powders cover Staffordshire’s ceramic industry, both hitting the sweet spot between ambience and narrative.
On their self-titled new release, Ballaké Sissoko & Derek Gripper’s sparkling improvisation pushes the kora tradition into a brand new musical space.
Gillian Welch & David Rawlings’ Woodland is steeped in timeworn American folk roots but filtered through a contemporary Americana lens; they remain the benchmark for acoustic roots duos – consummate brilliance.
Four simple songs have rarely generated such a transformative collection the way Kevin Fowley’s “À Feu Doux” does. Understanding the power of music, these sounds are perhaps the most evocative and revolutionary music you will hear all year.
Despite its stylistic shifts and variations, Jessica Ackerley’s ‘All of the Colours Are Singing’ feels like a single complete journey, an impressive achievement given the comparatively minimal ingredients she works with. It also demonstrates how deep her talent as a musician, composer and improviser runs.
On Divine Supplication, Derek Piotr weaves strands of strangeness and familiarity together in such a way that the final pieces often feel like heirlooms, half-remembered things retrieved from dusty boxes which spark bright, lucid memories.
On Classic Monsters, The Mining Co.’s Michael Gallagher, joined by his friends from Spanish psyche band Los Jaguares de la Bahía, keep it sparse yet dramatic on a concept album inspired by the monster movies of his childhood.
