Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
‘High Rise’ is an album of wondrous beauty from start to finish, with pieces that combine jazz, blues and classical with Scottish roots music. The work of Scottish fiddler and composer David Grubb this is a superb, confident soundtrack to a bustling city, as observed by a visitor.
Kate Rusby works her magic once again at the Civic Theatre, Chelmsford – an invitation to step outside of your own world and to join hers for a brief moment, to become part of the great tradition that has seen songs passed to her from her parents and from her and Damien to their children. A superb evening that our reviewer Paul shares here.
For his second album A Day Like Tomorrow Fabian Holland returns with more magical guitar playing, a much bigger sound and another superb set of songs and the notable addition of percussionist Fred Claridge, a young and up coming star himself, while Jacob Stoney’s keyboards add variety and texture to the bigger sound that producer Mark Hutchinson has helped Fabian realise.
His last album saw him reinterpreting songs by his own favourite writers and singers, but here on his fifth album, Scott returns to his own pen for a collection of ten numbers. Songs that gets deep inside you.
Loyalty is an album full of wonderful, enigmatic murkiness, an album that should earn The Weather Station a place at the top table of Canadian songwriters. From the start her songwriting is assured and the musicianship – aided by Afie Jurvanen of Bahamas and Feist collaborator Robbie Lackritz – creates just the right balance of iciness and warmth.
To say Marika Hackman’s album ‘We Slept At Last’ is a warts and all album is an understatement. The flashlight’s glare is upturned and fixed on that frightful grimacing profile we all know only too well. Yet the radiant glow seems to embrace the blemishes and frailties. In fact it goes deeper, to reveal the unpredictable, eccentric and beautiful person hidden behind them.
Kris Drever and Boo Hewerdine, both exceptional on their own, bring their collaborative skills to Last Man Standing a duo EP of song craft at its finest. With the tour just underway and the first date tonight, there will be a chance to see just how far that Kris and Boo can push this partnership. With two songwriters as good as this pairing you should make every effort to see …
On ‘Strange Tails’ Lord Huron has now blossomed into a full orchard of radio friendly, hugely infectious melodies and hooks, drenched in reverb and with punchy arrangements and instrumentation. This should see the band step out of the cult shadows and into the mainstream Americana spotlight.
