The songs on Jonathan Day’s ‘Sakura’ are characterised by a profound philosophical insight and the importance of music and nature. But most of all, it is an album about love and the small but important connections between humans in a world that can feel overwhelmingly big.
With ‘All Of This Is Chance’, Lisa O’Neill lets her own creative wings spread, unleashing every ounce of elation, despair and love that her music emanates. An epic canyon of sense and sound… a timeless piece of work, wholly unbound by style or genre, a universal shot of medicinal magic.
After three decades as one of folk and traditional music’s leading fiddle players, John McCusker has plenty to look back on in our Artist of the Month interview in which he shares his musical heroes, memories and more.
John McCusker’s ‘The Best Of’ is an ideal introduction to the breadth and depth of one of the very best traditional musicians working today…a rare musician whose fiddle style and overall production sound is both distinctive and alluring.
With ‘Out Of This Frame’ Rachel Taylor-Beales expresses large on a widescreen canvas that allows room for all her artistic faculties to breathe. This is an album that invites you in for a long ride, and it will not disappoint those who invest the time to get on board.
There is an elegance and quiet confidence throughout Hushman that makes it hard to resist. Full of balance, elegance and consideration…Perfectly pitched and performed, Ewan MacPherson’s Hushman is a little masterpiece of confidence and understatement. Wonderful.
Lady Maisery deliver compelling messages in the most memorable ways. ‘tender’, their first studio album in six years, finds them delivering their strongest collection of songs yet and instantly re-establishes them at the forefront of British folk music.
The Bellowhead and Leveret fiddle maestro Sam Sweeney talks about the creative process of his new solo album Escape That, a deeply personal set that sees him at his most dynamic and liberated.
It shouldn’t come as a surprise – despite Stick in the Wheel’s fearsome, uncompromising and unashamedly experimental attitude to folk music; the live recordings featured on Endurance Soundly Caged prove that they can still engage with listeners on the most visceral of levels.
You, Golden, the first duo record from Owen Spafford and Louis Campbell, was always one to look forward to. Uplifting, probing and exciting, as well as wise and patient, it is an album to return to and savour. Excellent stuff.
With Escape That, Sam Sweeney has made his most personal record to date. His playing has never been more confident or fluid and the accompaniments are also stellar in their subtlety. It is gorgeous, joyous playing, possibly his best yet.
On ‘Time Was Away’, the perfectly matched Emily Portman and Rob Harbron have delivered an elegant and understated gem that’s beautifully atmospheric and gently beguiling. Take time to savour this treat; you’ll be much rewarded.
