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A request for an old song led Boo Hewerdine to uncover a full album’s worth of material, which his label deemed simply too good not to be heard and Open shows the wisdom of that call. Yet another unassuming masterpiece that quietly slips alongside everything Boo has done with its indelible stamp of quality.
When Ross Cockburn met Jay Brown something clicked and Dark Green Tree was the happy result. Adding the voice of Cera Impala to the dream-pop-Americana of Secret Lives proves a further stroke of genius. A record that fulfils a dream and sets in motion whole new flights of fantasy and imagination of its own, wrapped up in a set of blissful tunes and honeyed harmony.
The Wooden House places Holly Lerski’s songwriting at the centre and it’s this focus which is the album’s real strength. To be able to look beyond the surfaces of everyday concerns and find new insights may seem a small thing, but it’s a rare skill which should get a big thumbs-up from anyone with a penchant for a finely-turned phrase, something which Holly Lerski has in abundance.
