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The Wooden House places Holly Lerski’s songwriting at the centre and it’s this focus which is the album’s real strength. To be able to look beyond the surfaces of everyday concerns and find new insights may seem a small thing, but it’s a rare skill which should get a big thumbs-up from anyone with a penchant for a finely-turned phrase, something which Holly Lerski has in abundance.
Laura Victoria is a powerful, original voice well established on the folk circuit and her glorious full-length debut Head Above Water proves her “Fearlessly adventurous” talent. She has a unique sound that certainly benefits from the chemistry she shares with her friend and accompanist Jo Cooper, but has she also has a magical ability to the shift musical shapes to cover the broad range of her emotive songs.
Living in Italy, but born in San Fransisco, the globe-trotting Lucia Comnes has returned to her Americana roots for the passionate and sophisticated new album Love, Hope & Tyranny. Lucia is also getting set to make her UK debut in June with a CD Release Concert at London’s Green Note, one you don’t want to miss.
Eliza Carthy and Tim Eriksen finally found the means to combine their extraordinary talents and a couple of UK tours created the opportunity to open the Bottle in celebration. This is a great record, as accomplished and surprising as you might expect from two of the folk world’s most complete musical artists.
With new album Emerald, Dar Williams really does live up to her tag as one of America’s best singer songwriters and with tour dates imminent there’s cause for double celebration. Emerald also includes several notable guest appearances to further enhance its credentials. It channels the heartfelt, the honest, the vital and and the poetic into one electrifying whole.
We caught up with Fabian Holland for a quick chat about his exceptional second album ‘A Day Like Tomorrow’ and the way his narrow boat life is starting to influence his work. Whilst life is not all plain sailing there are plenty of upbeat moments as he admits “…there are times when you just forget that you’re living in London, which is probably why I like it so much.”
With a talent partly forged in Florida and fuelled by French cinema’s New Wave Robert Chaney’s Cracked Picture Frames marks the arrival of a notable new voice on the London music scene. The album is sharp, intelligent, thoughtful and moving, as Robert sings, “I got some simple words to say,” but he says them so well, you can’t fail to be mightily impressed.
In her notes on the album, Thea writes that listening back to the old songs was like being haunted by the ghosts of her past. Rather than exorcise them, she’s given them new life while continuing to graffiti the wall of the music industry with music that matters, music with a heart and a mind rather than a corporate game plan. Long may she be “the girl that went and …
