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Avenging & Bright, a crossover between folk, pop and electronica, is bursting with confidence, and rightly so. Once again Damien O’Kane has recorded an album so highly polished it shines, it dazzles. Read our review and watch his new video for Poor Stranger.

Blessed with a peerless voice, possessed of a remarkable talent for arranging both contemporary and traditional song, and surrounded by musicians of the highest calibre, with Angels & Men, Kate Rusby offers the very best musical backdrop anyone could hope for this Christmas.

Providing more energy than a tanker full of Lucozade, 25 years on the Peatbog Faeries sound every bit as fresh and, above all, enthusiastic as they did when they headed out from Skye all those years ago. Live@25 is an exceptional live album by an exceptional live band.

On ‘Singing Ways to Feel More Junior’, Luke Daniels delivers yet another highly innovative collection. An album that is full of fascinating and meticulously crafted song from an artist with his finger on the pulse. Out Now on Gael Music.

The beauty and importance of this album lies partly in the fact that O’Hooley and Tidow recognise that an appreciation of this time of year – whether you want to call it Christmastime or not – is based on both personal and universal factors. This is an album of frosted beauty with a heart as warm as a coal fire.

The Melrose Quartet embody the kind of collaborative spirit and socially aware stance that makes folk music such an interesting, challenging and continually relevant form. As demonstrated on Dominion, they have prospered by seizing the day, by daring to do things that are slightly different…who are able to make old songs sound new, and new ones sound timeless.

This month, Karine Polwart releases her latest studio album A Pocket of Wind Resistance. She has just finished ten performances of Wind Resistance at The Royal Lyceum Theatre in Edinburgh, and we were keen to ask her about the inspiration behind those live performances, the attendant studio release and what else these wonders might lead to.

With Midnight Milk, Adam Holmes demonstrates his willingness to mine the rich creativity behind his work and bring to the surface previously unimagined gems. Adam Holmes and the Embers have created an album that digs deep into the soul and finds it a place of calm comfort.

With Dead Man’s Dance (Dawns y Gŵr Marw) ALAW have not only created an impressive follow up to their 2013 debut, they’ve surpassed the brilliance of Melody with an even more invigorating, wider-ranging exploration of Welsh poetic and musical traditions. It is an inspired and unique album.

Karine Polwart’s music and poetry, with Pippa Murphy’s exquisite settings, haven’t replicated the theatre production; it has brought Wind Resistance to a wider audience, furnished it with portability. Beautiful, potent, and engaging; A Pocket of Wind Resistance gives Karine Polwart’s enthralling theatrical début a satisfying permanence.

Bob Delyn a’r Ebillion return with their first album in fourteen years. Twm Morys and his band offer melodic inventiveness and lyrical panache on Dal i ‘Redig Dipyn Bach which summons images of the slate and moss of the Welsh landscape and lays bare the Welsh psyche. It is an impressive and moving piece of songwriting, in any language.

With his fourth studio album The Water Of Leith released this month, Blue Rose Code continues to draw on his increasingly inventive ability, as he quietly weaves flavours from a range of musical influences and personal experience, to produce his most thoroughly absorbing album to date.