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On ‘Singing Ways to Feel More Junior’, Luke Daniels delivers yet another highly innovative collection. An album that is full of fascinating and meticulously crafted song from an artist with his finger on the pulse. Out Now on Gael Music.

The beauty and importance of this album lies partly in the fact that O’Hooley and Tidow recognise that an appreciation of this time of year – whether you want to call it Christmastime or not – is based on both personal and universal factors. This is an album of frosted beauty with a heart as warm as a coal fire.

The Melrose Quartet embody the kind of collaborative spirit and socially aware stance that makes folk music such an interesting, challenging and continually relevant form. As demonstrated on Dominion, they have prospered by seizing the day, by daring to do things that are slightly different…who are able to make old songs sound new, and new ones sound timeless.

This month, Karine Polwart releases her latest studio album A Pocket of Wind Resistance. She has just finished ten performances of Wind Resistance at The Royal Lyceum Theatre in Edinburgh, and we were keen to ask her about the inspiration behind those live performances, the attendant studio release and what else these wonders might lead to.

With Midnight Milk, Adam Holmes demonstrates his willingness to mine the rich creativity behind his work and bring to the surface previously unimagined gems. Adam Holmes and the Embers have created an album that digs deep into the soul and finds it a place of calm comfort.

With Dead Man’s Dance (Dawns y Gŵr Marw) ALAW have not only created an impressive follow up to their 2013 debut, they’ve surpassed the brilliance of Melody with an even more invigorating, wider-ranging exploration of Welsh poetic and musical traditions. It is an inspired and unique album.

Karine Polwart’s music and poetry, with Pippa Murphy’s exquisite settings, haven’t replicated the theatre production; it has brought Wind Resistance to a wider audience, furnished it with portability. Beautiful, potent, and engaging; A Pocket of Wind Resistance gives Karine Polwart’s enthralling theatrical début a satisfying permanence.

Bob Delyn a’r Ebillion return with their first album in fourteen years. Twm Morys and his band offer melodic inventiveness and lyrical panache on Dal i ‘Redig Dipyn Bach which summons images of the slate and moss of the Welsh landscape and lays bare the Welsh psyche. It is an impressive and moving piece of songwriting, in any language.

With his fourth studio album The Water Of Leith released this month, Blue Rose Code continues to draw on his increasingly inventive ability, as he quietly weaves flavours from a range of musical influences and personal experience, to produce his most thoroughly absorbing album to date.

Megan Henwood’s emerging maturity as a songwriter and performer resonates throughout the twelve songs on River on which a fascinating soundscape accentuates her consistently tight and skilful writing and singing.

With Gigspanner, Peter Knight has assembled one of the most quietly brilliant sets of musicians in the folk world and beyond. The WIfe Of Urban Law is both experimental and accessible; it is music that respects the past without being in thrall to it. And more importantly, it is a record of stunning and sustained beauty. 

Eight years after the first of Jon Boden’s dystopian albums was released comes Afterglow, an urban tapestry of sound and stories that leaves one impatient for the final chapter. Here he discusses the albums’ conceptions, folk sociology and the art of leaving space.