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Dave McNally shares his Celtic Connections highlights, covering The Transatlantic Sessions, Natalie MacMaster, Donnell Leahy and Frances Morton, Michael McGoldrick, Tim Edey and Allison de Groot & Tatiana Hargreaves and Brian Finnegan.

Matt Hsu’s Obscure Orchestra’s ‘Forest Party’ and ‘Noodle’ are fearsomely eclectic albums. Genre boundaries dissolve, and everything is suspended freely, creating its own universe with all the randomness and beautiful chaos it implies. He proves that home can exist wherever there is hope and community.

During their Celtic Connections performance, Catrin Finch’s mastery of the Welsh harp intertwined seamlessly with Aoife Ní Bhriain’s deft fiddle playing, creating a rich tapestry of sound that thoroughly captivated the audience.

In the hands of film producer James Mangold, there is a very real probability that the definitive Bob Dylan film has finally arrived, with the man himself nowhere to be seen but his spirit and very essence seeping into every frame.

We chat with 21st-century renaissance man Sam Amidon about his influences, his love of instrumental music, jazz and folk; and of course, the creation of his sublime new album ‘Salt River’.

Read Tom Blake’s poem about Ed Askew – ‘He Is 82 Years Old Now’. Ed, an outsider folk musician, poet and painter, passed away recently; Tom called him “one of the finest, most big-hearted, most underappreciated songwriters of his or anyone else‘s generation.”

Sam Amidon’s Salt River is an album whose full kaleidoscopic experience is revealed through repeated listens. Eclectic is an easily applied word, but here we have an artist releasing a groundbreaking, spirited and adventurous album that is genuinely worthy of the description.

The true genius of Ross Ainslie’s ‘Pool’ lies in how it reconciles its stylistically varied individual tracks with an overall mood that remains consistent—and consistently engaging, something he pulls off with panache, originality, and an often breathtaking range of musical invention.

In terms of lyrical content and musical atmosphere, To Warm the Winter Hearth is a winter (rather than a Christmas) album. Along with Windborne’s almost supernatural grasp of harmony singing, this an impressive, evocative work of art.

Return to Kielderside is, among other things, a document of what has happened between that first Kathryn Tickell release and the present day-It’s like a long-exposure photograph of an important and highly impressive career in constant evolution.

We catch up with Senegalese kora master Seckou Keita to chat about his wonderful new Homeland (Chapter 1) album, a rich, beaming tapestry, and the various aspects of life that inspired it.

It’s clear from this first chapter of Homeland that Seckou Keita is here to take us on a musical journey; peppered with guest artists, the whole thing is a beautiful, buoyant celebration of life and place. Music this joyous and full of pathos is irresistible.