Reflective and reverent, with Nine Waves Ye Vagabonds prove once again to be at the forefront of an ever-evolving, flourishing Irish folk scene and have done so in the most understated and inspired fashion imaginable.
Kinnaris Quintet’s ‘This Too’ may have been conceived in difficult times, but it is an object lesson in making the best out of your circumstances. This is incredibly accomplished music, but more than that it is full of heart and hope.
Echo, the third album from Welsh-Senegalese harp and kora duo Catrin Finch & Seckou Keita, is another significant leap forward; a masterpiece and a beautiful album from two artists who are operating at the height of their powers.
Whilst sounding vintage in style, Narrow Line could belong in no other era than the present day. Mama’s Broke may seem traditional, but their tales of modern life have too much bite to be nostalgic, they are new and unique voices in modern, rootsy Americana that must be heard.
No one could have predicted the Oysterband returning with a song collection quite like ‘Read The Sky’. This is what you get when a band continue to make music for the best reasons. It’s a top-quality album worthy of the name.
With the release of Moch, self-proclaimed ‘trad fusion’ band DLÙ have heralded themselves as a fresh, innovative and exciting band with a unique, original and eclectic sound. This may already be a strong contender for one of the debut albums of the year.
With, After the City, Bird In The Belly have created a concept album that provides a kind of musical prequel to Richard Jefferies visionary novel. Eloquent, lovingly detailed and touched with a welcome dash of experimentalism, they have made it accessible, gripping and mythical.
Peter Knight & John Spiers’ ‘Both in a Tune’ is effortlessly impressive and sublimely performed…innovation, experimentation and improvisation at its very best. By the end this year it will surely still be in the minds of many as one of the best of 2022.
Maurice Louca’s ‘Saet El Hazz’ is experimental and uncompromisingly modern, and yet the reaction it elicits feels timeless and instinctual, playing on our love of suspense and our capacity for joy in a way that only great music can.
Elliott is living proof that a well-timed whisper can often be more consequential than a shout, and on December songs he takes that aesthetic to its quietly impressive limit. It is hard to see how this album could have come out any better.
The Rhythms of Migration is a migratory musical masterpiece and an outstanding album from our Artists of the Month: Freedom to Roam, featuring Eliza Marshall, Catrin Finch, Jackie Shave, Kuljit Bhamra, Donal Rogers, Robert Irvine, Lydia Lowndes-Northcott & Joby Burgess.
Over eleven years of gigs and now four studio albums, Mànran have always shown a healthy appetite for innovation but with Ùrar they’ve taken that to a new level. With a new line-up, they’ve produced an album that sets a fresh benchmark against which to judge contemporary Gaelic music.
