The songs on Jonathan Day’s ‘Sakura’ are characterised by a profound philosophical insight and the importance of music and nature. But most of all, it is an album about love and the small but important connections between humans in a world that can feel overwhelmingly big.
With ‘All Of This Is Chance’, Lisa O’Neill lets her own creative wings spread, unleashing every ounce of elation, despair and love that her music emanates. An epic canyon of sense and sound… a timeless piece of work, wholly unbound by style or genre, a universal shot of medicinal magic.
John McCusker’s ‘The Best Of’ is an ideal introduction to the breadth and depth of one of the very best traditional musicians working today…a rare musician whose fiddle style and overall production sound is both distinctive and alluring.
With ‘Out Of This Frame’ Rachel Taylor-Beales expresses large on a widescreen canvas that allows room for all her artistic faculties to breathe. This is an album that invites you in for a long ride, and it will not disappoint those who invest the time to get on board.
There is an elegance and quiet confidence throughout Hushman that makes it hard to resist. Full of balance, elegance and consideration…Perfectly pitched and performed, Ewan MacPherson’s Hushman is a little masterpiece of confidence and understatement. Wonderful.
Lady Maisery deliver compelling messages in the most memorable ways. ‘tender’, their first studio album in six years, finds them delivering their strongest collection of songs yet and instantly re-establishes them at the forefront of British folk music.
It shouldn’t come as a surprise – despite Stick in the Wheel’s fearsome, uncompromising and unashamedly experimental attitude to folk music; the live recordings featured on Endurance Soundly Caged prove that they can still engage with listeners on the most visceral of levels.
You, Golden, the first duo record from Owen Spafford and Louis Campbell, was always one to look forward to. Uplifting, probing and exciting, as well as wise and patient, it is an album to return to and savour. Excellent stuff.
With Escape That, Sam Sweeney has made his most personal record to date. His playing has never been more confident or fluid and the accompaniments are also stellar in their subtlety. It is gorgeous, joyous playing, possibly his best yet.
On ‘Time Was Away’, the perfectly matched Emily Portman and Rob Harbron have delivered an elegant and understated gem that’s beautifully atmospheric and gently beguiling. Take time to savour this treat; you’ll be much rewarded.
VRÏ’s ‘islais a genir’ is an album that honours variety and positively revels in its own complex, colourful identity, by turns thoughtful and celebratory. A formidable artistic and cultural statement.
With Sorrows Away, The Unthanks have graced us with their most extraordinary record to date. It is a tonic to lift the spirits and marks a momentous moment in the career of one of the greatest folk bands in the UK today.
