Albums

Steeped in Blue-collar values, Americana singer-songwriter Ben Gage’s ‘Two Singing Songs’ is a welcome and fabulous first full-length studio release.

Clive Carroll describes John Renbourn as a true pioneer, an ever-questing spirit who continues to inspire – on his well-filled double album, ‘The Abbot’, he’s an ideal conduit for John’s spirit.

Intimate, stripped-back, folk Americana, the songs that make up Jeffrey Martin’s “Thank God We Left The Garden” are written with honesty, depth, wisdom, and insight.

A Seed Of Gold is a formidable album that builds and broadens on the success of Rosie Hood’s debut release. She’s an incredibly adept storyteller, reflected in both the musical arrangements and her choice of tales. This really is something very special.

D.C Cross’s Wizrad: Adventures into Ecstatic Guitar is a must for fans of the more experimental and adventurous side of the solo acoustic genre, as well as those who enjoy serious acoustic guitar flexing.

Sad Lady Songs Vol 1 is further evidence of Amy Hollinrake’s burgeoning craft and growing reputation on the contemporary folk circuit. Vol 2 is eagerly anticipated.

An introspective journey through anxieties, fears, loss, need, loneliness and love; while Donland’s is not always the most uplifting of listens, it’s assuredly one of Jerry Leger’s finest works.

Grained with both aching and joy, ‘Behind Every Door’ is a heady, quietly intoxicating work that may well stand as Matt McGinn’s finest album to date.

‘Just a Second’ showcases the exceptional talent of the young Scottish fiddler Ryan Young. He brings out the true essence of every tune, taking the listener on a journey from blissful tranquillity to foot-tapping stomps. It’s a delightful musical experience from start to finish.

Cormac O Caoimh’s ‘Where The World Begins’ covers themes of parenthood, autism and love. It’s a deeply personal and quite wonderful album.

With Mango, Mo’ Horizons have channelled 25 years’ worth of varied listening and absorption into an album of progressive, enlightening music which is both exciting and dynamic in its scope.

On Selva, Marta del Grandi’s celestial world carves out space for astute pop, experimental electronica, and driving modern folk ballads. It’s a mesmerising place.