Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Melanie McGovern

Seattle’s churning out some pretty decent musicians of late and delightful Bella Union are adding artist after great artist to their roster by the bucket load so Pearly Gate Music proves a perfect union between the label and the city of the moment. The moniker of Zach Tillman, younger brother of Josh; the Fleet Foxes drummer and acclaimed solo artist, released his impressive self titled debut earlier this year on …

by Billy Rough

It was a slightly subdued East Neuk audience that welcomed Spiers & Boden and Saltfishforty to the stage at the Byre Theatre, St Andrews on Friday, perhaps that was due to the heat of the warm July night. The boys, however, didn’t take long to rouse the audience and by the end of the night the quartet had the normally reserved St Andrew’s audience taping and clapping away they way …

by Melanie McGovern

UK record label Bella Union, now in their 13th year are one of the most recognised independent labels going, not least for their discovery of Fleet Foxes which earned the label its first Platinum record, but also for their impeccable roster of artists ranging from the highly acclaimed Andrew Bird and Explosions in the Sky, to the lesser known likes of their new recruits exposed at their Evening at Union …

by Billy Rough

Martha Tilston’s Lucy & The Wolves is her third solo album (although her backing band The Woods feature heavily throughout ) and is her first new album since 2007’s Of Milkmaids and Architects (2008’s Till I Reach the Sea being a compilation EP). The album marks a move away from the more political and social concerns of her earlier work (although these are still prevalent on Lucy & The Wolves …

by Neil McFadyen

Music has been used to spread messages; political, romantic, historical, for hundreds, probably thousands of years. It’s an effective medium and the musical traditions we’re so proud of owe their very existence to this fact. The trouble is, of course, that almost any message is open to interpretation. This CD, and the Folk Against Fascism movement it supports, have come about because of the misappropriation of British folk music and …

by Melanie McGovern

Never judge a book by its cover…or a record for that matter. However I love the pleasant surprise that often comes in doing just that. That was how I came to stumble upon Vadoinmessico, a five-piece based in London with members hailing from Mexico, Italy and Austria. They met at music college in the city in 2006 and it’s no wonder the summertime drizzle and grey skies made them yearn …

by Melanie McGovern

Fragmented, scrapbook recordings documented at his mother’s house, Mike Hadreas’ debut Learning is the kind of angst-ridden poetry that succeeds by being so shrouded in mystery and a tender incoherence that we are left intrigued rather than irritated. These lo-fi recordings echo the Woods, his vocals Sufjan Stevens’ girlish whisper and Neil Young’s pained falsetto.

by Melanie McGovern

Folk-shoegaze five-piece A Weather have been quietly lurking around since 2006, releasing The Feather Test 7 inch in 2007, followed by debut LP Cove the year after. This year’s Everyday Balloons, in keeping with the previous releases is out on Conor Oberst’s record label Team Love, and was produced by Adam Selzer who has worked with the likes of Norfolk & Western and M. Ward.

by Neil McFadyen

An intimate setting in Stirling’s Tollbooth theatre was the location for a double bill featuring Cormac Cannon, a Uilleann piper from Galway and a performance of Jenna and Bethany Reid’s The Shetland Bus Cormac Cannon is one of a talented group of young Uilleann pipers in Ireland today. Learning music from an early age, his influences include Galway pipers Eammon O’Broithe and Tommy Keane. He has avidly imbibed the techniques, …

by Melanie McGovern

Wig Smith is the other half of folk duo The Hand which comprises Bristol singer-songwriter Rachael Dadd. At the end of April he announced the release of his solo debut A Means of Escape Through a Hedge. There was little background information I could track down on this album other than the plentiful insights from the artist himself – the best we could have hoped for! Much like the lyrics …

by Brian

This is not the easiest of albums to review, because it’s near-perfect – and a string of superlatives is not very exciting after a paragraph or two, is it? But bear with me – you know that moment – as a player, as a listener, as a random passer-by – when a session suddenly takes flight? That gear change that can only happen when every musician is playing at the …

by Neil McFadyen

Duncan Chisholm has released Canaich, the second instalment in his Strathglass trilogy, on Copperfish Records. This follows on from Farrar, the award-winning first album in the trilogy, inspired by the highland landscapes populated by his ancestors. In 1988 Duncan Chisholm was a founder member of Wolfstone; within two years the band had become a full-time job and one of Scotland’s most talented musicians was at the start of an impressive …

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