Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by KLOF

Despite the choice of instrument on Ukulele Songs it is Eddie Vedder’s songs and sonorous voice that dominate your attention as well as some great duets with Glen Hansard and Cat Power.

by Judith Wiemers

Jo Bywater hails from Yorkshire, her songs expose her empathy with bluesy folk-tunes and portray the singer as a mature artist who knows her flaws and virtues yet knows how to play to the gallery.

by KLOF

There is a gentle subtlety about Snorri Helgason’s performances, both in his singing and his playing. It also captures some of that classic essence that calls to mind the likes of Neil Young and Harry Nilsson, both of whom he has been compared to. He is currently recording his sophomore solo album with Icelandic indie-pop great Sindri Már Sigfússon (Seabear, Sin Fang) manning the consoles.

by Judith Wiemers

Read Judith’s live Cologne review of The Tallest Man on Earth: The set features intense and assertive moments as much as reserved and tender ones, always reassuring the spectator that they are part of a wonderful evening that will stick with them.

by Melanie McGovern

Alela Diane has proven herself capable of a somewhat reinvention whilst never shedding her roots, and while her voice dazzled in its powerful country twangs and intonations, it was often the softer spoken plaintive tones that resonated more deeply.

by Melanie McGovern

Give The Felice Brothers ‘Celebration, Florida’ a consistent dose of straight-through plays and you have probably their best album to date. It is both broad, unplaceable and still somehow retentive of their beginnings.

by KLOF

The Horn The Hunt are a Leeds based duo, comprising of visual artist Clare Carter and Joseph Osborne. Their second album, Depressur Jolie, is genre defying, a calamity of influences held together by an intricate weave of darkened undertones which comes across perfectly in the video below for the track Old Town Cow.

by Melanie McGovern

Given the paralysing despair of his debut solo recording Last of the Country Gentlemen, Josh T Pearson’s live persona is a pretty chirpy guy in contrast to his recorded portrait of a lonesome folk troubadour.

by KLOF

Red Planet is a breathtaking vision of two beautiful people. It is a reflection of their travels, their hardships and jubilation. It is perfect! Read our review and watch the exclusive Philadelphia ‘Sun Room’ Sessions.

by Melanie McGovern

In contrast to a career spanning two decades and over a dozen recorded albums – including those as his earlier moniker Smog – to his name, Bill Callahan is a man of surprising few words onstage. It’s forgivable however, as captured in his dry wit and deep seated vocal wisdom are enough tales of surrealist simplicity to make up.

by KLOF

The familar bluesy vocals of Fink are back with a new single release on June 13th titled ‘Yesterday Was Hard On All Of Us’. Get your first taster below and download the title track ‘Perfect Darkness’, from his forthcoming album.

by KLOF

Kill it Kid are a cross between Johnny Cash, The Black Keys and The White Stripes; taking inspiration from the likes of Blind Willie McTell, Son House, Bob Dylan and Tom Waits, it’s hard to believe they come from Bath.

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