Honest, in-depth reviews of experimental, folk, ambient and avant-garde albums redefining what music can be. Independent coverage from KLOF Magazine since 2004.
Albums
Andrew Vladeck of New York City is releasing not only his EP Passing Knowledge this spring, but a book by the same title. It is also the first edition of the Pocket Songster Series, paying homage to the Pocket Poet Series of San Francisco and through which Beat poet Allen Ginsberg’s works were printed.
Swedish band Mire Kay recently released their debut EP Fortress, it comprises of five songs, tied neatly together with chamber pop arrangements, ethereal vocals and dark often mythical lyrics built out of rich images and hollow, natural sounds which, layer upon layer, create a warmth out of their often sombre subject matters of longing and searching.
Marry Waterson and Oliver Knight’s ‘The Days that Shaped Me’ is the result of nearly four years musical collaboration but is ultimately the result of a lifetime of experience. Read our review and hear excerpts below.
Julianna Barwick’s latest release, The Magic Place, has her continuing her graceful inventions, using mainly voice and a loop station. It is an exceptional album where sound and silence intermingle in complete divinity.
C’mon is Low’s follow-up to their 2007 tensely charged Drums & Guns. It is by no stretch of the imagination a crossover, but the balance of the album offers a new vein in their musical explorations.
It’s rather a surprise to find this Washington/Seattle harmonica brandishing trio was in fact borne from the disbandment of Pretty Girls Make Graves. Since their 2007 formation, The Cave Singers have been signed to Matador, releasing two records with the New York label before signing to Jagjaguwar in June of last year; and with whom they now release No Witch.
