Albums

Honest, in-depth reviews of experimental, folk, ambient and avant-garde albums redefining what music can be. Independent coverage from KLOF Magazine since 2004.

by KLOF

Eliza Carthy’s latest release, Neptune, takes her to the pinnacle of a tremendous career, a bright and colourful album that will appeal to long-time fans and virgin entrants to the ongoing Waterson/Carthy legacy!

by KLOF

Galley Beggar are a six piece folk rock band obssessed with the old sound from the likes of Fairport Convention, Steeleye Span, Nick Drake, Jethro Tull, Fotheringay, Bert Jansch and Pentangle. Their debut album Reformation House is a step forward from that magical period of folk music history.

by KLOF

The Gentle Good is the moniker of Gareth Bonello who hails from Cardiff. His latest album ‘Tethered for the Storm’ is an exceptional album that harkens back to the 60’s folk revival and is reminiscent of the likes of Nick Drake and Bert Jansch.

by KLOF

I Draw Slow’s new album ‘Redhill’ is, without doubt, their best release to date. This original Irish five-piece band have raised the stakes and have come out on top form. Their original musicianship and songs make them stand out from the rest. A very bright future ahead!

by KLOF

Jonathan Day’s ‘Carved in Bone’ is definately in the exceptional league and sets a very high standard that should bring him the much deserved wider recognistion across the folk circuit. This is a great album to get lost within.

by Melanie McGovern

While on first appearances an ambitious album, perhaps uncertain of what it wants to be, it succeeds in displaying an expression of sound and an intricacy with detail that shows deft skill in experimentation, something more than making up for moments that don’t quite gel.

by KLOF

Despite the choice of instrument on Ukulele Songs it is Eddie Vedder’s songs and sonorous voice that dominate your attention as well as some great duets with Glen Hansard and Cat Power.

by Judith Wiemers

Jo Bywater hails from Yorkshire, her songs expose her empathy with bluesy folk-tunes and portray the singer as a mature artist who knows her flaws and virtues yet knows how to play to the gallery.

by KLOF

There is a gentle subtlety about Snorri Helgason’s performances, both in his singing and his playing. It also captures some of that classic essence that calls to mind the likes of Neil Young and Harry Nilsson, both of whom he has been compared to. He is currently recording his sophomore solo album with Icelandic indie-pop great Sindri Már Sigfússon (Seabear, Sin Fang) manning the consoles.

by Judith Wiemers

Read Judith’s live Cologne review of The Tallest Man on Earth: The set features intense and assertive moments as much as reserved and tender ones, always reassuring the spectator that they are part of a wonderful evening that will stick with them.

by Melanie McGovern

Alela Diane has proven herself capable of a somewhat reinvention whilst never shedding her roots, and while her voice dazzled in its powerful country twangs and intonations, it was often the softer spoken plaintive tones that resonated more deeply.

by Melanie McGovern

Give The Felice Brothers ‘Celebration, Florida’ a consistent dose of straight-through plays and you have probably their best album to date. It is both broad, unplaceable and still somehow retentive of their beginnings.

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