Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Simon Holland

In advance of her Artist Of The Month Billing for July we bring you exclusive insight into the superb deluxe double CD version of Emily Barker And The Red Clay Halo’s Dear River.

by KLOF

Matt Berry’s Kill The Wolf, a follow-up to witchhazel plays out like a pagan soundtrack steeped in full-blooded English psych-folk centred around the summer solstice.

by Simon Holland

With a London show in July Maple Bee talks exclusively to Folk Radio UK about bringing together These Four Worlds, her restless creative streak and life as a music therapist.

by KLOF

Heather Maloney’s self-titled release on Signature Sounds is a defining milestone in her musical career, not so much ambitious as adventurous and one which will reap many rewards.

by Simon Holland

The Rambling Irishman Kevin Doherty takes time out from Four Men And A Dog to deliver ‘Seeing Things’, a literate solo work aimed at both head and heart and distinguished by fine string arrangements.

by Simon Holland

Introduced on Folk Radio almost a year ago David Wax Museum finally boost their UK profile with the release of Knock Knock Get Up and shows including Womad Festival coming up.

by Johnny Whalley

Stuart Forester’s second album ‘A Yard of Ale’ is a delightful album with lyrics that give the music a strength rooted in empathy for the character portraits they paint.

by Simon Holland

The partnership between Boo Hewerdine and Brooks Williams is maturing nicely with this second CD Snake Oil filled with toe-tapping songs of the highest quality.

by Thomas Blake

David Grubbs has the intellect, talent, and bullish presence to make north-east London’s post-hipsters quake in their hi-tops. He is joined on stage at Café Oto by Italian pair Andrea Belfi and Stefano Pilia.

by Thomas Blake

Field Report has been several years in the making, and musically it shows. Old and new meet in carefully considered swirls of pedal steel, acoustic guitar and judiciously deployed synths.

by Simon Holland

Aidan O’Rourke’s beautifully realised third solo album busts boundaries between Scottish folk and jazz, telling the story of the Hotline between the USA and the Kremlin.

by Anne Malewski

Humming to the pines, tracking shadows down the street and making maps of memories. On her debut album, Georgia Ruth goes on radiant harp adventures.

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