Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
Layers of Ages is the latest offering from Peter Knight’s Gigspanner and the result is well worth the wait, leaving no doubt that Gigspanner’s increasingly impressive part-improvised, boundary-crossing sound is like no other. Don’t miss their June 2015 album tour.
‘Something In The Water’ proves that the music and roots of the last American century are as relevant today as they were when Guthrie rode the rails and Chicago Blues, Western Swing and Ragtime were the only soundtrack oiling the gears of the nation’s radio stations. Performed with conviction, full of great songs, it has truth running through it like a paddle-steamer winding down the Mississippi.
Laura Victoria is a powerful, original voice well established on the folk circuit and her glorious full-length debut Head Above Water proves her “Fearlessly adventurous” talent. She has a unique sound that certainly benefits from the chemistry she shares with her friend and accompanist Jo Cooper, but has she also has a magical ability to the shift musical shapes to cover the broad range of her emotive songs.
In the first of a 3-part review of the 33rd Orkney Folk Festival Alice Tait sets the scene and shares some of the highlights of Day one including Barrule, Louise Bichan, the Hot Seats and Bruce Mainland.
Seckou Keita’s latest album ’22 Strings’ is his first ever solo album and in this new video interview he provides a valuable insight into the album including the significance of the songs and his kora playing.
Adam Holmes & The Embers continue to follow up the success of last year’s debut album, Heirs & Graces, with live dates up and down the country. On Friday night it was the chance for a Glasgow audience to enjoy the band, thanks to The Fallen Angels Club at the thriving Centre for Contemporary Arts; with up and coming solo performer Genesee providing the opening set.
Most of ‘Sundown Over Ghost Town’ was inspired by and written in Idaho City, a mostly abandoned former mining centre to the north of Eilen Jewell’s hometown of Boise, where she now lives, and provides the album’s reflective tone and lyrical threads. It is a more reflective, musically subdued work than some of her past outings, but it may well be her best yet.
Building a solid following and already a significant presence on the festival scene, in an age of shooting stars that flare briefly and pass in the night, Thomas is an artist of solid, enduring substance and a real keeper.
Following hot on the heels of a brace of seriously landmark live gigs: first at this year’s Celtic Connections, and second and most recently in Dublin where they celebrated two decades of straight-down-the-line high-energy music-making Danú ‘s latest offering ‘Buan’ is in every respect a splendid achievement from a premier Irish band still at the very top of their game.
Kent Folk-rock sextet Galley Beggar’s latest album does a damn good job of consolidating the tradition that began with Fairport Convention back in the late 60s.
