Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Mike Davies

Tom Blackwell hails from the North of England, after a series of demo releases Tyrone The Gun is his debut proper and, according to Mike, it’s easily one of the best things he’s heard all year.

by Mike Davies

The Crooked Brothers latest offering, Thank You I’m Sorry, is all the richer for the diverse sound and styles they bring to the fore, both collectively and individually. You can’t pin these guys down.

by Neil McFadyen

Man is Made is the second album from Michael Edgar and seems a natural and welcome progression from his debut release ‘Shine’. Michael has his own voice, and it’s a very appealing one. He has his own stories to tell; and on Man Is Made, they’re well worth listening to.

by Mike Davies

On The Resonant Rogues latest album there is plenty to appeal taking in influences from gypsy jazz, klezmer and Balkan music alongside old-time American folk and blues. All this whilst maintaining a core band identity, it bodes well for a very promising future. 

by Paul Kerr

FY5 – the current handle for the band who were previously known as Finnders & Youngberg release ‘Eat the Moon’, a fine finger picking album.

by Helen Gregory

Alex Seel’s Other Paths EP is a hugely impressive musical calling card, with each of its five songs showcasing a different side of this multi-talented musician’s skills. His ear for harmonies and his subtlety as a lyricist are revelatory and it’s to be hoped that a full-length album follows before too long.

by Joseph Peach

Following an accident in January 2014, Tom Moriarty returns to the scene with his new album ‘The Road’. If there’s any justice, this album will see him picking up plenty of new fans.

by Alice Tait

Alice takes us through her highlights of Day 2 at Hebcelt Festival 2015 from morning till sunrise! Taking in Siiga, Le Vent du Nord, Sorren MacLean, Raghu Dixit, Halcyon and Idlewild.

by Mike Davies

After all the stirring, but crafted angst and anthemic defiance that has gone before, this latest release from Frank Turner is as raw and as naked as they come and a reminder of the heart behind the PR image.

by Alice Tait

We head to the Outer Hebrides for Hebcelt Festival and in the first of a three part festival review Alice takes us through her festival highlights. Thursday includes Niteworks and Salsa Celtica.

by Neil McFadyen

Solid song writing and one of this year’s finest vocal performances have combined with Steven Polwart’s engaging arrangements and Mattie Foulds’ atmospheric production to create an album that showcases Mairi Orr’s vibrant love of acoustic music, story-telling gift and ability as a performer.

by Roy Spencer

The Ties that Bind finds Mawkin at their brilliantly inventive best, displaying plenty of the uninhibited energy that they have become known for. They produce a full sound that might usually be associated with larger ensembles – and it sounds like they are having a lot of fun too!

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