Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Paul Woodgate

Conceived and largely written on the road whilst touring, Franc Cinelli’s new album ‘The Marvel Age’ rumbles out of the groove like a battered freight train, each boxcar a different story, every station strange, and strangely familiar; jump the train and listen.

by Mike Davies

The press release for Patty Griffin’s new album talks of Ralph Waldo Emerson, Rumi and Rilke, but you don’t have to have a grounding in American transcendentalism or Eastern or German romantic mysticism to have your heart beat along with hers.

by Helen Gregory

Bixiga 70 have come a long way in the two years since their previous album; III finds the band themselves sounding their most confident so far on a solid and highly enjoyable album with engaging compositions and impressive playing. A very accessible album which deserves to be a significant crossover success.

by James MacKinnon

Must Take More Care is full of hard truths spoken with a soft voice, and as summer’s glow fades and the nights draw in closer you could certainly do worse than cosying up with this quiet gem over the coming autumn.

by Mike Davies

Named after a Sheffield landmark, Richard Hawley’s eighth studio album, Hollow Meadows, finds one of Britain’s greatest songwriters in good company, including Martin Simpson, Jarvis Cocker and Nancy Kerr for one of his finest albums yet.

by Nick Dellar

Ryley Walker, the Chicago based singer/songwriter and guitarist, came across a copy of John Hulburt’s 1972 privately pressed LP Opus III in a record store. He bought it and much taken, he teamed up with Tompkins Square to bring about this re-issue.

by Paul Woodgate

In their latest release ‘Conflict Tourism, Gilmore and Roberts step over the border, wade through the battles and emerge unbowed… taking us through theatres of conflict that directly and indirectly affect every one of us.

by Helen Gregory

Marian’s artistic vision is painstakingly conceived and the reward for the listener who spends a little time exploring Spirit House is to discover ten intricately glowing miniature worlds, each of which will surely generate an emotional resonance in anyone who’s ever mused on the nature of the human condition.

by David Kidman

The sheer ebullient inventiveness of the duo’s musical settings, their committed sense of fun, their consummate, enviable musicality, their serious ability to grab your attention and carry you through the experience – all these qualities are faithfully conveyed in this lovingly crafted exceptional recording.

by Helen Gregory

Stanley Brinks & The Wave Pictures’ latest offering, ‘My Ass’, is a powerfully honest album which, when played back-to-back with Gin, creates an almost perfect soundtrack to the humdrum, everyday existence of many people, to the ups and downs of lives lived to the fullest extent possible and, for that alone it is definitely something to be cherished.

by Kim Carnie

The Scott Wood Band have delivered a stunning first album and it seems only natural that their already successful career is going to flourish yet again. They have set the bar extremely high, not only for any future recordings that they release, but also for other tune orientated folk bands across the UK.

by James MacKinnon

Upon discovering Johanna Warren’s nümün, released earlier this year, it was too good to miss out on, an album that will engulf you as it oscillates between moments of serenity and tumult.

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