Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Paul Woodgate

It penetrates your conscious on the first listen and unfolds as all its glorious fecundity comes flooding to the surface. A folk-pop-ambient-electronica soup of loveliness.

by Mike Davies

The Ghosts of Highway 20 re-enforces Williams’ maverick status with 14 powerful songs – meditations on loss, death and mortality and more besides. An exceptional album.

by Johnny Whalley

Multi-award winning folk musician Nancy Kerr and her Sweet Visitor Band provide an evening of top entertainment at Ashcroft Arts Centre which included new material that will feature on her next album.

by Helen Gregory

Steeped in the traditions of his beloved Dumnonia, Forgotten Kingdom presents both an ambitiously broad canvas and a tour de force display of Jim Causley’s range and depth. It succeeds as a result of his commitment to his vision and his choice of contributors, confirming his status as one England’s finest folk singers, musicians and composers.

by Nick Dellar

Whilst Fahey and Basho may well cast a long shadow in the field of acoustic guitar that you’d need to travel far to get away from, C. Joynes and Nick Jonah Davis demonstrate on Split Electric they are well down that road.

by Mike Davies

The splendidly bearded Ben Caplan is back as he plunges into the folk roots belly for a sophomore stew of fifty shades of Americana produced by klezmer-rapper Josh “Socalled” Doglin and featuring an army of collaborators.

by Johnny Whalley

For his latest album Jez Hellard managed to herd some of his favourite collaborators back into the pen he calls the Djukella Orchestra. A superb album – you won’t be able to keep your feet still!

by Ian Taylor

This was an immense show, great performances by all, but it will inevitably now stick in the memory of all present for Rhiannon Giddens’ stunning performance who brought the house down with the perfect combination of soulful vocal and explosive delivery.

by Mike Davies

With their harmonies steeped in southern moss, Appalachian colours and the old school influence of the Carter Family still firmly nailed to the mast, Freakwater’s new album’s been worth the ten year wait.

by Neil McFadyen

In the second part of The Big Music Society’s evening of music that aims to help find a place for Piobaireachd in a modern setting, Fraser Fifield takes to the stage and demonstrates just how adaptable our indigenous music can be in the right hands.

by Paul Kerr

For newcomers to Diana Jones’ music this might not be the best introduction, but it’s bound to be snapped up by those attending her forthcoming shows which include UK dates in April 2016.

by Neil McFadyen

New York band Blarvuster take to the stage at Celtic Connections – Just because it’s bagpipes doesn’t mean it’s trad; just because it’s Piobaireachd doesn’t mean it’s classical…

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