Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
The fourth release from Canterbury-based singer-songwriter Luke Jackson reveals an artist that continues to grow in maturity as he fine tunes his craft. With Tall Tales and Rumours he delivers another winner.
Jon Boden compiles The Ultimate Guide To English Folk, a lavish two-disc primer designed to appeal to experienced folkies and newbies alike. It is not the first such collection, but it is probably the most wide-ranging, lovingly compiled and inventively sequenced. One of the most important messages to take from this compilation is that while folk music in England is something of an extended family, it is by no means …
Despite performing solo without the many guest musicians featured on Upcetera, Jim Moray proves that just with his guitar, piano, and unaccompanied, he can still deliver an emotional punch – a raw and profoundly moving performance.
Cycle is without doubt, an album stuffed full of formidable singing and excellent musicianship. But more than this, it is an album that has something to say about today’s world and is aware of its place in history. Lady Maisery are unafraid to challenge preconceptions about folk music but are aware of its cultural significance and its historical imperative. This album proves that they are worthy custodians and spirited agitators.
Water of Tyne is the first CD release from Magnetic North East CIC, a community interest company promoting the music, arts, culture and heritage of the North East of England. Brought together by Kathryn Tickell the album includes guest appearances from the likes of The Unthanks, Hannah Rickard, Bob Fox and Mike Tickell. A truly lovely collection.
Ashes is the debut album from Stockholm-based Albert Af Ekenstam citing Bon Iver, Mogwai and Explosions In The Sky as influences shaping his quiet, melancholic music.
With the current divisions tearing America apart, the Dive-By Truckers latest offering, American Band, isn’t just a bloody good album, it’s a bloody important one too.
Lead Me To The Water is Todd Carter’s second album and while not an immediate hook, the more you listen to it, the more it makes you want to drink deep.
In Widdershins, Highland airs, jigs, and reels are treated to a Nordic twist and the rebellious tendencies of both players are given free rein to delightful effect. It is an astounding album that deserves wide exposure, and a work for which Sarah-Jane Summers and Juhani Silvola should be resoundingly praised. Rarely is music such an overwhelming joy.
