Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Thomas Blake

While the latest in the Ceremonial County Series is entirely wordless, both convey striking and very different stories: Bridget Hayden’s mythic and haunting, Daniel Weaver’s inevitable and personal. Rarely can so much have been said, and so eloquently, in half an hour of instrumental music.

by Thomas Blake

Compter Les Dents strengthens the notion that Tartine de Clous’ music is something shared, something that exists in the world with lasting meaning. It’s so refreshing to hear music that is not overtly performative and not intended primarily as a product to be consumed.

by Dave McNally

Six years after their eponymous debut, Julie Fowlis, Éamon Doorley, Zoë Conway, and John Mc Intyre return with Allt Vol. II: Cuimhne, an album harmonious in every aspect: magnificent vocals, classy musicianship, and absorbing airy arrangements.

by Gareth Thompson

The performances on Bridget Hayden’s ‘Cold Blows the Rain’ are spellbinding. It’s an album as distinct and vivid as its characters are dark and illusory.

by Danny Neill

Sam Amidon’s Salt River is an album whose full kaleidoscopic experience is revealed through repeated listens. Eclectic is an easily applied word, but here we have an artist releasing a groundbreaking, spirited and adventurous album that is genuinely worthy of the description.

by Thomas Blake

Everything The Memory Band do, however varied, is done to a high level. Their music is always interesting, often strange, and usually beautiful, and A Common Treasury is the perfect place to hear it.

by Thomas Blake

Featuring four of America’s most potent musicians, all performing at the top of their game, Jeff Parker’s ‘The Way Out of Easy’ might just be the best jazz album of 2024. Another win for the ever-reliable Chicago label International Anthem.

by Bob Fish

Jack Cheshire traverses the ragged landscape of the mind and heart on Interloper. Thrown for a loop, battered against psychic rocks, his music is unruly and uncompromising in its journeys through the workings of the soul and the heart.

by Thomas Blake

The true genius of Ross Ainslie’s ‘Pool’ lies in how it reconciles its stylistically varied individual tracks with an overall mood that remains consistent—and consistently engaging, something he pulls off with panache, originality, and an often breathtaking range of musical invention.

by Mike Davies

The ever-innovative and experimental sextet Bonfire Radicals returns with their five-track EP Flywheel, swirling musical colours and shapes recorded live in the round. Barkingly wonderful.

by Thomas Blake

Brigid Mae Power’s ‘Songs for You’ is a timeless record filled with brilliant moments that will melt the heart of even the most cynically covers-album-averse listener.

by Thomas Blake

Yosef Gutman & Peter Broderick didn’t take long to build up an enviable musical rapport, and River of Eden is an album that exudes a quiet confidence, a calm focal point at the centre of a stormy world.

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