Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Johnny Whalley

With Further Tales, TRADarrr have generously delivered on the promise shown by their debut album. These new tales are the product of a band bursting with ideas. It truly is an album that gives more and more each time you listen.

by Thomas Blake

There is no-one quite like Avital Raz in the world of music right now, and she should be applauded for the intelligence and singularity of her artistic vision. The Fallen Angel’s Unravelling Descent is a genuinely original musical statement, full of wise, exotic and gleefully mordant songs that manage to be simultaneously challenging and melodic.

by Mike Davies

On Swimming in Mercury, Boo Hewerdine offers lush arrangements, affectionate homages to different musical styles from the years gone by, and a mix of playfulness and quiet poignancy in the lyrics. An eloquent album.

by Sue Barrett

On his new album, Taking the Long Way Home, Canadian singer/songwriter Richard Laviolette combines roots/country/gospel music with earthy/organic musical accompaniment to deliver a heart-warming, energising album. Food for the soul.

by Mike Davies

Beinn Alba marks a slight change for Scottish folk singer Davy Holt as he shares his self-penned songs for the first time. While he may not come festooned with the reverence accorded to fellow contemporary Scottish folk acts his music is no less worthy of recognition.

by Rachel Lynne Wilkerson

If Lindsay Straw’s debut album, “sounds like no one but herself,” then her second album ‘The Fairest Flower of Womankind’ imparts that authenticity to the voices of women whose stories speak to a new generation.

by Mike Davies

Anna Coogan’s ‘The Lonely Cry of Space & Time’ isn’t an album you approach on a casual basis, you need to work with it to form a relationship, but once you do, it’s one that will last.

by Dave McNally

Aizle are one of the latest among the new crop of exciting young folk/traditional bands from Manchester’s thriving Celtic music scene. They definitely offer something different as their classical and jazz backgrounds meld with a hugely enjoyable bunch of Irish and Scottish traditional tunes.

by Maria Wallace

Where the River Meets the Road is an impressive and affectionate showcase for the songwriting talents of all these West Virginians (including Tim O’Brien himself) alongside his own considerable gifts as a talented musician and interpreter of songs.

by Thomas Blake

Inver, the debut album by three-piece ambient folk band HAV, has been slowly brewing for three years. Accordingly, the music they make together proves to be a slow-burning pleasure. A profoundly moving and expressive album that is the perfect antidote to quick fixes and empty gestures.

by Phil Vanderyken

Little Me Time finds Latham recording outside of his home studio for the first time, enlisting an ensemble of local talent. Anti-folk has come a long way from the early days at Sidewalk Café, and, as demonstrated here, the music industry is a more colourful place because of it.

by Johnny Whalley

Rising stars of the South West folk scene, Kadia, return with their latest EP ‘The Outlandish Collection’. Recorded in the studio, it allowed them to exercise a greater freedom and flexibility which comes across in a richer fuller sound.

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