Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Rachel Lynne Wilkerson

If Lindsay Straw’s debut album, “sounds like no one but herself,” then her second album ‘The Fairest Flower of Womankind’ imparts that authenticity to the voices of women whose stories speak to a new generation.

by Mike Davies

Anna Coogan’s ‘The Lonely Cry of Space & Time’ isn’t an album you approach on a casual basis, you need to work with it to form a relationship, but once you do, it’s one that will last.

by Dave McNally

Aizle are one of the latest among the new crop of exciting young folk/traditional bands from Manchester’s thriving Celtic music scene. They definitely offer something different as their classical and jazz backgrounds meld with a hugely enjoyable bunch of Irish and Scottish traditional tunes.

by Maria Wallace

Where the River Meets the Road is an impressive and affectionate showcase for the songwriting talents of all these West Virginians (including Tim O’Brien himself) alongside his own considerable gifts as a talented musician and interpreter of songs.

by Thomas Blake

Inver, the debut album by three-piece ambient folk band HAV, has been slowly brewing for three years. Accordingly, the music they make together proves to be a slow-burning pleasure. A profoundly moving and expressive album that is the perfect antidote to quick fixes and empty gestures.

by Phil Vanderyken

Little Me Time finds Latham recording outside of his home studio for the first time, enlisting an ensemble of local talent. Anti-folk has come a long way from the early days at Sidewalk Café, and, as demonstrated here, the music industry is a more colourful place because of it.

by Johnny Whalley

Rising stars of the South West folk scene, Kadia, return with their latest EP ‘The Outlandish Collection’. Recorded in the studio, it allowed them to exercise a greater freedom and flexibility which comes across in a richer fuller sound.

by Ken Abrams

Brown Bird’s journey continues with this release. A Light I Can Feel is that rare cover album that expands the sound of the band, adding to their legacy. Listeners who want to join that continuing voyage should check it out.

by Neil McFadyen

A Little Bit of Everything sees Lowri Evans and Lee Mason forge ahead as a duo with seemingly renewed confidence as evidenced by their exceptional live performances which also sheds new light on some highly accomplished songwriting.

by Steve Lockley

Hard Ground is the highly anticipated debut album from The Rachel Hamer Band. Both Rachel’s voice, which has a rich depth and maturity, and band’s fine musicianship are given ample opportunity to shine throughout.

by Sue Barrett

On Bare Along the Branches, Norrie McCulloch opens a window into innermost thoughts and feelings. Despite its exploration of loss and disappointment, it is a fulfilling album, with its soul seemingly firmly planted in small town/rural Scotland.

by Glenn Kimpton

Ivan Drever and Friends was Recorded at Stromness Town hall and features a host of Orcadian musicians of note and guest appearances by Hazel and Jennifer Wrigley and more.

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