Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.
Albums
This is up there with the very best of homegrown Americana and, if they could get some sort of national radio or TV play to provide the incentive to gig beyond their London stomping grounds, they would deservedly develop the following they assuredly warrant.
Drawing on a mass of musical influences from North and South American pop and folk to Gypsy Jazz & classical music, Elias Krell’s ‘As Eli’ is unquestionably one of the summer’s brightest gems.
William Matheny makes his debut with Strange Constellations, a solid collection of roots rock and countrified pop. Read our review and listen to his cover of Jason Molina’s ‘Just Be Simple’, a bonus track on the UK digital edition.
Isembard’s Wheel’s debut album ‘Common Ground’ offers more of the band’s wild, inventive, visionary “folk and then some”, which proves both highly infectious and highly irresistible.
Idaho’s Hillfolk Noir return with Junkerpunch, a ramshackle rural clatter that is given life by guitar, double bass, banjo and washboard. All beautifully recorded by analogue wizard Mike Coykendall at his Blue room Studio in Portland, Oregon.
On Itinerant Arias, Christopher Paul Stelling sees the storm coming, but his songs, which come from a wide range of unlikely inspirations, are there to provide a bridge over troubled waters.
At the end of the Scott Cook’s booklet for ‘Further Down the Line’ there is a preamble memoir in which he quotes Bruce Cockburn “Kick at the darkness ‘till it bleeds daylight.” This album kicks hard.
Roving Crows’ Bury Me Naked presents a kaleidoscopic view into the past, the present and the future, in a glorious musical setting which is broad in diversity, rich in sound and high in energy.
