Albums

Luke Sital-Singh’s ‘Time is a Riddle’ is more of a rebirth than a follow-up, awash with emotion and tumultuous cathedrals of sound. A captivating experience that’s hard to resist falling for.

I first heard this Skipinnish line-up last year at Oban Live and was bowled over both by the music and the almost ecstatic reaction it produced in the audience. The Seventh Wave comes about as close as any studio album could to replicating this feeling.

Bonnie ‘Prince’ Billy pays tribute to Merle Haggard on ‘Best Troubador’, a timely reminder of the talents one of the most gifted of all the great American songwriters, delivered with grace and skill by a modern master.

Brisbane-based Angharad Drake has been quietly building a following among Australian folk fans for her gentle, poetic indie folk. Her debut album Ghost is an impressive, atmospheric debut album that deserves to gain her an audience far beyond Australia.

Little Lapin’s Wake up with the Sun is fresh (both musically and lyrically), personal (whilst also universal), simple (yet complex) and full of contrasting styles (both between and within songs). A delightful album.

When not serving as part of Steve Earle’s band The Dukes, husband and wife duo Chris Masterson and Eleanor Whitmore have their own career as The Mastersons. Transient Lullaby is their third album.

To mark the 50th anniversary of John Fahey’s Takoma label ‘Contemporary Guitar – Spring ’67’ the Tompkins Square label has issued The Music of Harry Taussig and Max Ochs. To their credit these are all new recordings.

Although best known as a producer, Nigel Stonier also has a career as a reedy-voiced solo artist in his own right, Love and Work is his sixth studio album which features a number of guest musicians including Thea Gilmore on backing vocals.

The Ones You Keep Close is an entirely fitting companion to Brigid Mae Power’s earlier album – once you’ve fallen under her spell, it’s certainly one to keep close!

June Star return with their eleventh album ‘Sleeping With The Lights On’. A welcome chance to catch up, a compelling vision of where they are now and where they’re heading.

Daphne’s Flight return two decades after their impressive debut with Knows Time, Knows Change. Individually they are classy performers, together they are utterly sublime. Let’s just hope it doesn’t take quite so long before they take flight again.

The door is open for a new close harmony acoustic female folk duo to get their foot in the gap, and Exeter-based Sound of the Sirens, Abbe Martin and Hannah Wood, are decidedly in with a chance.