Albums

Honest, in-depth album reviews by KLOF Mag – championing and curating intelligent, uncompromising voices in contemporary and experimental music since 2004.

by Richard Hollingum

EB=MC2, an album produced in Ehud Banai’s native Israel brings these two together – and shows that the adage about old dogs and tricks is far from the truth. “And your guitar, so clear and bright, is like a cure to the broken heart”.

by Thomas Blake

Edgelarks is an album that is full of muted, autumnal beauty. Edgelarks may signify a new venture for Hannah Martin and Phillip Henry, but the quality of their songwriting and performing only continues to improve, this is their best yet.

by Glenn Kimpton

On Laura Baird’s debut solo album, ‘I Wish I were a Sparrow’, she captures the spirit of the old field recordings and reveals little nuggets of joy throughout on which original and traditional songs work fluidly alongside each other. Listen to the premiere of her original Wind Wind.

by Phil Vanderyken

Jeremy Tuplin may be the missing link between Nick Drake and ‘Space Oddity”-era Bowie. “I dreamt I was an Astronaut” is an engaging piece of work, blending excellent folk-based songwriting with creative and gently overarching production that fittingly frames Tuplin’s songs.

by Mike Davies

Hailing from Chicago, Big Sadie make their debut with Keep Me Waiting. They’re new entrants in a fairly crowded field of old-school American folk revivalism, but on this evidence, they’ll soon be rising to the upper echelons of its ranks.

by Mike Davies

While Hiss Golden Messenger shares the sentiments of many on the current state of affairs – he chooses to look to a brighter tomorrow, banging the drum for hope as he sings “I feel like my luck is turning…..We’ll be alright tonight.”  Hallelujah to that.

by Mike Davies

Variously likened to Mojave 3, Neil Young and Mazzy Star, Dripping Springs might be best described as Dream Americana, this is certain to expand Joana Serrat’s following and bolster her scrapbook of glowing reviews even further.

by Mike Davies

Heart of the Cave is an album inspired by an invite to explore Osimo, a town in Italy under whose streets lie 2,500-year-old caves with tunnels that once hosted religious secret societies. It’s an album that touches on the core of existence and spirituality and the shadows that hover around the fringes.

by Paul Kerr

Too Dark For Country, a four-song EP by actress/musician Anjana Vasan is the first release from Folkroom Records in three years but it’s been well worth the wait. Recalling at times the authenticity and freshness of Hurray For The Riff Raff’s Alynda Segarra’s early rootsier efforts.

by Mike Davies

Jolie Holland & Samantha Parton, founding members of The Be Good Tanyas, re-join forces for Wildflower Blues. A very welcome reunion and hopefully just the beginning of an ongoing partnership. They are on tour in the UK & Ireland during October 2017.

by Neil McFadyen

Pretty Peggy firmly adds Sam Kelly & The Lost Boys to the list of artists who are proving that great party bands are no longer the exclusive domain of the Scottish & Irish music scenes. Pretty Peggy is easily one of the best albums to come from the ever-growing world of youthful folk music.

by Mike Davies

Small Believer is the latest offering from Portland singer-songwriter Anna Tivel. She offers insightful and often moving images of ordinary lives drawn from stories heard while out on the road. Open, honest and deeply affecting, it’s her best work yet. 

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